In his fourth novel featuring Dr. Quirke, a Dublin pathologist at the Hospital of the Holy Family with unusual insights into forensics, Booker Prize-winning author John Banville, writing as “Benjamin Black,” reveals yet another grim side of Dublin life in the early 1950s. When Dublin Detective Inspector Hackett investigates the gruesome death of “Diamond Dick” Jewell, a wealthy man whose head had been blown off in what was thought to be a suicide, he calls Quirke, who has helped him on several occasions in the past and who agrees that this death had to have been murder. “Few outside the family circle and few inside it, either, considered his demise a cause for sorrow.” As Hackett investigates, he finds himself relying on Quirke more and more, since Quirke has access to the elite of Dublin society, people who know all the powerbrokers in the business community, in politics and the church, and on both sides of the law. Whom you know is more important than legal fine points, and Hackett trusts Quirke to provide him with information he might not otherwise obtain.
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Having lived in Iceland for over ten years, Quentin Bates got to know the country and its politics well, before moving back to the UK during Iceland’s continuing economic crisis. He had observed political corruption there with fresh eyes, and he now uses his outrage as the basis of this complex and unusual murder mystery in which he illustrates how some elected officials are able to parlay their connections into illegal gains and large personal bank accounts. Officer Gunnhildur, a widow described as a “big fat lass with a face that frightens the horses,’ has been with the police department for sixteen years and now runs the police station in the small village of Hvalvik. When the body of an unidentified young man is found in the water beside the docks, Gunna investigates, and when she discovers that one of the victim’s close friends was killed in a road accident the previous spring, she becomes sure that it is murder. Both had been interested in Clean Iceland, an organization which promotes clean energy and keeps an eye on dams, the environment, and power sources. At issue is a contract that has been awarded recently for the building of a privately run smelting company across the bay, and that company and its public relations offshoot, Spearpoint, are directly connected to the Ministry of Environmental Affairs and run by the wife of one of the ministers.
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From the time of Irish “independence,” recognized by treaty between Ireland and Britain in 1922, to the Good Friday Accords of 1998, the island has suffered from sectarian violence. Even in recent years, after the “Peace” agreement, many Republicans, nearly all of them Catholic, and including the IRA and Sinn Fein, continue to want a united Ireland and the return of the six northern counties which have been ruled by Britain for eight-five years. Ardent Loyalists, mostly Protestants who support British rule and the Royal Ulster Constabulary, want to protect their minority interests by remaining in control in their limited area of the island. Set in Belfast in November and December of 1979, this novel by Louise Dean focuses on the violence which reached its irrational peak at that time, and she holds back nothing in describing the brutality and tit-for-tat horrors in which both sides engaged.
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Where else but Dublin might you find a James Joyce scholar dead, and Det. Supt. Peter McGarr and the Murder Squad of the Garda Siochana reading Ulysses, and occasionally Samuel Beckett, in an effort to understand what led to his death? This is, no doubt, the only murder mystery ever written which takes so seriously the conflict between James Joyce, who was committed to writing “novels of competence,” and Samuel Beckett, who believed totally in “the novel of incompetence,” a conflict which also involved the literature scholars and critics at Trinity College who were as partisan as the two novelists. As esoteric as this sounds, author Bartholomew Gill has a field day here, creating characters who do more than just live and breathe—they live riotously, get roaring drunk, have wild and sometimes hilarious love affairs, wear their hearts and emotions on their sleeves, love their country and its history to the depths of their being, and, though they take their jobs seriously, they see them as just one part of real life. Gill includes lively and wonderfully droll conversations throughout–the teasing and byplay one expects of close and caring relationships–both at the Garda station among his repeating characters and at home. And when Det. Hugh Ward and Det. Ruthie Bresnahan finally “discover” each other, one of the highlights of this novel, their love scenes are as hilarious as they are steamy. My favorite of this series.
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Set in various countries in West Africa, with one sojourn to Ethiopia, Susi Wyss’s debut “novel in stories” takes advantage of the more than twenty years that she lived in Africa—three years as a child in the Ivory Coast, two years as a Peace Corps volunteer in the Central African Republic, and fifteen years managing health care programs throughout different countries in West Africa. Her sensitivity to place, culture, and people, particularly those who have left their homes for lives elsewhere, and her sense of honesty and forthrightness give a particular poignancy to the lives of the five women who are the subjects of the stories here. Three of these overlapping stories are set in Ghana, two in the United States, and one each in Malawi, the Central African Republic, and Ethiopia. The novel has much charm, less plot, with characters who feel real and with whom the reader will identify. The places Wyss “visits” are both intriguing and realistic, even including the unexpected violence that appears at some points. The novel is full of easy and obvious cultural conflicts and contrasts, with themes that often appear as moralizing at the conclusions to the stories.
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