Swiss author Peter Stamm has accomplished a remarkable feat. He has written a fascinating story in which marriage is less the result of true love than it is of logic, the resulting union resembling a merger more than a deep human relationship. Passion here has more to do with self-gratification than with true feeling. And Alex, the main character, is so ego-centric that it is difficult to imagine any thoughtful, sensitive woman wanting to have anything at all to do with him. But that is part of the point. None of the three main characters here—one man and his two lovers–are emotionally mature, and none of them grow much during the almost twenty years that pass in the course of this novel. Still, by the end of the novel, the reader will have a fine picture of what true love is, however negatively the characters behave in their own lives and however much damage they may do to the other people in their lives. The negative emphasis actually accentuates the wonder of the positive for the reader. Tightly organized and unusual in its focus on characters who are insensitive and self-involved, the novel has more intellectual than emotional appeal (again, appropriate to the characters), and it is up to the reader to decide to what extent each will be able to understand and feel real love—or become fully human.
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Camilla Lackberg is the most profitable author in Swedish history, outstripping even Stieg Larsson in total book sales. Setting her novels in Fjallbacka, Sweden, a small fishing village in western Sweden (and her home town), Lackberg shows that even small fishing villages hold secrets, including murder. In this second novel in the Fjallbacka series, Chief Investigator Patrik Englund learns that six-year-old has discovered a woman’s naked and beaten body in a ravine. Underneath that body are the skeletons of two more women who disappeared in 1979. Autopsies prove that all three had been slowly tortured over the course of many days before merciful death interceded. Lackberg spends as much time on the lives and motivations of her characters as she does on plot development, and when yet another young girl disappears from town, Patrik and his crew (which also has frictions and rivalries) realize they may have a chance to find her before she dies of the same tortures which were inflicted on the previous young women. Good psychological insights by a young author.
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Julio Llamazares will win many new readers with this powerful and richly atmospheric novel, a classic in Spain for the past twenty years, but only recently available in English translation. Capturing the love of an old man for his land and for the village in which he and his ancestors were born, it is also a study of the inexorable effects of time and the pressures it exerts on isolated communities and the human inhabitants who lack direct connection with a wider world. Told from the point of view of a now-elderly man who, along with his faithful, unnamed dog, is the last remaining inhabitant of Ainielle, a crumbling village in the Pyrenees, the novel details his physical and emotional deterioration as he observes the parallel collapse of the town, “whole buildings kneeling like cattle,” the village itself a mangled and sad “unburied corpse.” His wife Sabina, who had remained with him after all the other inhabitants gradually departed, has now been dead for ten years, and as the novel opens, Andres believes that this is the last day of his life.
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Anyone who enjoys mysteries is surely familiar by now with the growing list of Nordic authors who specialize in crime and all its horror, but these authors do not write purely for macabre sensation (though the macabre is not unknown to them). All are writers with larger themes and scopes, and many use repeating characters who keep the reader involved as they solve new crimes and reveal more and more personal aspects from their own lives. For Stieg Larsson, it was journalist Mikael Blomqvist and his computer expert friend Lisbeth Salander. For Henning Mankell, it is Kurt Wallender. For Arnaldur Indridason, the darkest of the novelists, it is Inspector Erlendur, known by his last name almost exclusively. Jo Nesbo features Harry Hole, and Karin Fossum, the most psychological of the authors, repeats with Inspecter Sejer. For Camilla Lackberg, all her novels take place in her own hometown, Fjallbacka, a fishing community in which the whole town’s characters play a role. Her second novel to be translated into English, THE PREACHER, is due in April. (Links to reviews of books by six authors follow.)
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Posted in 9a-2011 Reviews, England, Humor, Satire, Absurdity, Mystery, Thriller, Noir, Psychological study, Scotland on Mar 26th, 2011
Not a traditional mystery, Kate Atkinson’s third Jackson Brodie novel grows instead out of the terrible traumas that children and young people must endure when people they love die violently. So marked are they by their sudden tragedies, that they never really escape their pasts, and spend the rest of their lives wondering “when will there be good news.” Five separate plot lines evolve and begin to overlap here, and in each of these plots the main characters are all needy people hiding an inner loneliness from which they would like to escape. In the first plot, Joanna Mason Hunter is a physician living in Edinburgh, the happily married mother of a one-year-old, a woman who appears to have it all, but thirty years ago, she escaped a slashing attack which murdered her mother, sister, and baby brother. Though she seems to have put her past to rest, the murderer of her family is about to be released from jail. Jackson appears on the scene when he is nearly killed in a train crash on the way to Edinburgh. The narrative speeds along, ironies abound, and mistaken identities create some bizarre and sometimes darkly humorous scenes.
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