Masquerading as a family saga, The Promise is also a depiction of the various crises in the history of South Africa, especially in the past thirty years. The Swart family – Ma, Pa, Astrid, Anton, and Amor – are white descendants of the Dutch and Afrikaner Voortrekkers who settled in rural areas of South Africa in the mid-1800’s as an escape from the British control of the cities of colonial South Africa. Many created large farms in the relatively unpopulated rural areas and ran their farms as their own fiefdoms. The past hundred years have led to significant changes, however. The Promise straddles genres as it focuses on the emotional problems of the Swart siblings’ lives, some of them exacerbated by the behavior of their parents. It also focuses on the social and cultural milieu of South Africa from the mid-1980’s to the present, as it moves from a strongly white-dominated government to a more democratic one which recognizes the contributions of all cultures and their importance to peaceful society. The author recognizes that change is happening and that peace is possible, but he does not lecture the reader, preferring to present facts regarding the changes, letting the reader see some of the results, both good and bad, as they affect one white family struggling with personal problems of their own.
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You may have read many novels in which the two main characters hate each other, but how many have you read in which the main characters, two professional women, are in their eighties and next-door neighbors? Yewande Omotoso’s The Woman Next Door, will appeal to readers looking for an escape from some of the doom and gloom of contemporary life without escaping into mindlessness, a story with some realistic grit. Setting the novel in Cape Town, South Africa, Omotoso depicts an upscale enclave in which these two women, one black and one white, must deal with some big issues, some of them racial. Though apartheid is outlawed and the neighbors may pretend that the problems are solved, the feelings are not yet gone. This is not a “message novel,” however. For Omotoso, the story and its characters come first, her themes being revealed through their conflicts and the empathy she creates among her readers. Fun and often funny, with unique characters, and strong insights into the racial tensions of South Africa.
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South African author Damon Galgut’s fictionalized biography of author E. M. Forster (1879 – 1970), known as Morgan, takes a different approach from non-fictional biographies, synthesizing all the author’s research into the character of Forster and then journeying inside his mind, ultimately allowing “Forster” to tell his own story. As the openly gay Galgut asserts throughout this novel, Forster’s most significant difficulty in his personal life and in his writing seems to have been in reconciling his homosexuality with the rest of his life so that he could live and love fully on all levels. During Forster’s most prolific years as a novelist, 1908 – 1924, “minorite” activities were almost universally hidden, not just frowned upon by society, but rejected as aberrant behavior.
Strict codes of behavior governed how people interacted within various social classes, and the need to conform allowed little room for any kind of social experimentation and led to the ostracism of those who were “different.” How “minorites,” in particular, came to terms with their essential natures and were able to live within this restricted society becomes a major theme of this novel.
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Those who not have been lucky enough to have discovered South African author Deon Meyer’s mystery/thrillers, to date, are in for a real treat. Always among the very best writers of this genre, he keeps getting better and better, but unlike many others who have suddenly become popular, he has not rested on any laurels. Instead, he has become even more committed to constructing tight, beautifully organized and highly plausible plots in which well-developed characters share their lives in South Africa with all its challenges and triumphs. In Cobra, Meyer’s new (ninth) novel, set primarily in Capetown, Capt. Benny Griessel appears in his fourth novel, and this time he and his Hawks, who work for Priority Crimes Investigations, must investigate three murders and the disappearance of a college professor who specializes in economics and computer systems which enable countries to monitor trends. The British professor has been staying at a wine farm and guest house in the Franschhoek Valley, and the three murdered men were professional bodyguards hired to protect him from some unknown threat. Alternating with the story of these murders and questions about the professor’s work is the story of Tyrone Kleinbooi, a young “colored” pickpocket who works to pay for his sister’s college education so that she can become a doctor. Great insights into contemporary South Africa.
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The sardonic comment at the end of the opening quotation says all that needs to be said in establishing the tone of Voorspoed, a small rural “dorp” in the center of South Africa in 1994, which is the setting of this novel. A whole new way of life has just begun for the residents, both black and white, since white rule has just been abolished with the election of Nelson Mandela as the new President of the country. The long conflict between the British and the Boers, both of which sought dominion over the blacks generations ago, have been officially resolved for years, but eighty percent of the country’s residents, its blacks, are still poor and still have little to say as far as the government is concerned. In this novel from 1994, the tensions and the uncertainty are palpable, but they run in the background of the novel and only rarely intrude directly on the action. Newly translated into English by Iris Gouws and author Ingrid Winterbach, The Elusive Moth captures a unique period in a small rural community in which no one can be quite sure who is really in charge. Whoever thought he was in charge, especially among the police, made sure that everyone else knew it, whether or not it was true. Like her two later novels available in English, To Hell with Cronje, and The Book of Happenstance, this novel deals with clear themes of life, love, and death, analyzed on a grand scale and shown in an equally grand evolutionary context.
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