When the atomic bomb dropped at 8:15 a.m. on August 6, 1945, Hiroshima was a thriving city of two hundred forty-five thousand people. By 8:20, one hundred thousand of those people were dead. Combining the broad perspective of the absolute devastation of the city with the tiniest details of six individual lives, John Hersey provides a powerful closeup of a few survivors of the atomic attack on Hiroshima, giving the carnage a human perspective. The victims become human, and their concerns become universal, as Hersey shows them digging themselves out and helping their neighbors, filled with an “elated community spirit” in the days and weeks after the bombing. (To see the entire review, click on the title of this excerpt.)
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Set in 1875, this Merchant-Ivory film focuses on the post-Civil War intellectual community of Boston and Cambridge, bringing to life the suffragist movement, which passionately involved many of its women. Verena Tarrant (Madeleine Potter) is a beautiful and charming young woman who draws large, paying crowds to hear her speak about “the just revolution,” which would free women from their second class status. Though Verena describes herself as “only a girl, a simple American girl,” her strength as a speaker quickly brings her to the attention of Olive Chancellor (Vanessa Redgrave), an older woman whose dedication to the movement, and eventually to Verena, is single-minded and all-consuming. When Verena moves in with the overly protective Olive, Olive wants her to promise that she will never marry, but the inevitable happens. Basil Ransom (Christopher Reeve), Olive’s cousin, arrives from the south, and is immediately smitten by Verena. (To see the full review, click on the title at the top of this excerpt.)
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When “the Europeans” arrive unexpectedly to stay at the New England home of their strait-laced cousins, the Wentworth family, the conflicts between European and American values, so often highlighted in the novels of Henry James, are quickly established in this 1979 Merchant-Ivory film. Screenwriter Ruth Prawer Jhabvala stays close to the tone, themes, and action of the James novel as she brings to life a strict and pious New England family which is suddenly exposed to a whole new way of life. Felix Young (Tim Woodward), a charming and energetic European artist/actor/traveler, without prospects in Europe, has accompanied his sister Eugenia, Baroness of Munster (Lee Remick), to America while her marriage is being dissolved. Here, where no one knows them, Eugenia believes that “natural relations,” as opposed to the “artificial relations” of Europe will prevail. Young Gertrude Wentworth (Lisa Eichhorn), always the most iconoclastic member of the family, is immediately smitten by Felix, finding him a welcome relief from the earnest but stuffy Rev. Brand (Norman Snow), who has been courting her. (For the full review, click on the title of this excerpt.)
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Written in 1937, when the Depression was still affecting all aspects of the farming community, this powerful novel depicts the lives of migrant workers–grim, pessimistic, and offering little hope for an improved future. Focusing on two characters who arrive in the Salinas Valley during peak season, Steinbeck creates touching scenes between Lenny, a big, severely limited worker who does not know his own strength, and George, a whippet-thin man who serves as Lenny’s constant companion and protector. Both Lenny and George have dreams of one day living on their own farm, where Lenny, who loves the feeling of soft things–even dead mice–wants to take care of rabbits. George hopes one day to benefit from his own hard work on his own farm and to create an environment where Lenny can be safe from his own impulses. As Steinbeck brings the characters on the ranch to life, he shows how every person there has dreams of a different life but few opportunities to change the lives they already have. (To read the full review, click on the title on this excerpt.)
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When John Steinbeck obeys a life-long urge to drive from coast to coast in 1960, he little anticipates the variety of the “American experience.” Beginning in Maine and traveling along the northern states through Wisconsin, the Badlands, Montana, and all places in between, to Washington and Oregon, Steinbeck then decides to visit his childhood community of Salinas, in northern California. After meeting with friends there, though many have died, he then drives southward through the length of California and then eastward through the southwest desert to Texas, Louisiana, and eventually up to Virginia before returning to New York. Carrying the reader along with him as he reconstructs this journey for publication in 1962, Steinbeck observes people and human nature, being careful not to draw conclusions about an entire area based on the individuals he meets along the way. Often it is their reactions to Charley, his aging blue poodle, which stimulate their conversations and allow Steinbeck glimpses of their thinking and ways of life. (To see the full review, click on the title of this excerpt.)
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