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Category Archive for 'Ur – Z'

This short, literary novel explores themes which academicians have discussed for generations–the relationship between reality and language, the belief that creating a library is akin to creating a life, the idea that books can take on a life of their own, and the obsessive collection of books and reverence for them. Creating an allegory of the literary world and its complications, author Carlos Dominguez tells what appears to be a simple story–part mystery, part satire, and part quest.

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Croatian author Josip Novakovich crafts a novel here which bursts the bounds of genre. Both naturalistic in its depiction of the Yugoslavian war and its atrocities, and fantastic and darkly absurd in its depiction of the life of main character Ivan Dolinar, the novel seesaws between the horrific and the hilarious. Surprising in his ability to wrest unique images from universal experiences, Novakovich writes with such clarity and directness that the reader immediately identifies with Ivan in his predicaments and empathizes with him as uncontrollable forces buffet him throughout his life. The novel follows him from childhood to his fifties, and the conclusion is a blockbuster, sixty pages of the most absurd, farcical, and hilariously ironic writing in recent memory, a section which comes close to slapstick at the same time that it is indescribably bleak.

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In Yugoslavia the extermination of Jews started early and was almost totally successful within a matter of months, with most of the Jewish men of Serbia shot to death by the fall of 1941, and “the Jewish Question in Serbia almost completely solved” by April, 1942, when virtually all Jewish men, women, and children were dead. Imagining the lives of Götz and Meyer, two SS guards who were responsible for over 5000 Jewish deaths, the speaker examines the events for which Götz and Meyer were responsible between November, 1941, and April, 1942. Often juxtaposing atrocities against simple, folksy observation, the speaker puts himself into their minds, he wondering if they ever regretted what they were doing, since they were so good at their jobs. Throughout the novel, as Albahari includes the terrible statistics, he also exhibits the ironies of the circumstances, setting the facts into sharp relief and increasing the shock. A strange novel of the Holocaust, all the more shocking because of the contrasts between the facts and the dark humor, Götz and Meyer is a memorable short novel and worthy addition to Holocaust literature.

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Illustrating, to some extent, the effects of colonialism, along with desertions and displacements in the characters’ lives in this three-part novel covering more than fifty years in Zanzibar/Tanzania, Gurnah concentrates primarily on stories of family, courtship, and relationships–ordinary people living their daily lives. Though the novel feels like three separate novellas, rather than a continuous whole, Gurnah’s style is smooth and descriptive, conjuring the moods and images of different times and fascinating places.

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The book begins as a leisurely portrait of two lonely immigrants to England from Zanzibar, one of them a distinguished young professor and the other a 65-year-old asylum seeker who has just arrived, pretending he understands no English. As the points of view shift back and forth between the two men in succeeding sections of the novel, we come to know each man well–his life, his aspirations in Zanzibar, his extended family, the family’s business connections there, and ultimately, the how and why of each man’s emigration to England. Coming from two different generations, each man has a different view of his former country, the older man having spent most of his life there, escaping to England when all other hope is gone, and the younger having left as a young student, but still longing for the connections he left behind. This is passionate book of clear vision, a book which recognizes harsh truths and still remains compassionate.

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