Claudia Hampton, an iconoclastic, sometimes imperious, often maddening, and completely liberated seventy-six-year-old woman, lies in a nursing home awaiting death—very reluctantly. Having earned her living as a reporter during the Cairo campaign in World War II and later as a popular historian, she sees no reason why she should not continue her work as she awaits death. ‘Let me contemplate myself within my [own] context,” she says, “everything and nothing. The history of the world as selected by Claudia: fact and fiction, myth and evidence, images and documents.” As she fades in and out of consciousness (her nurse wondering aloud to the doctor, “Was she someone?”), she plans her story for her usual readers, indicating that she will omit the narrative but “flesh it out; give it life and color, add the screams and the rhetoric…The question is, shall it or shall it not be linear history? I’ve always thought a kaleidoscopic view might be an interesting heresy. Shake the tube and see what comes out…There is no chronology inside my head. I am composed of a myriad Claudias who spin and mix and part like sparks of sunlight on water..there is no sequence, everything happens at once.” By turns humorous, thoughtful, satiric, wonderfully philosophical, and consummately literary in its observations and allusions, this novel is an absolute treasure, one that will appeal to every lover of serious themes presented in new ways.
Read Full Post »
Alaa al Aswany made his literary mark in 2002 when he wrote The Yacoubian Building, a novel set in one apartment building in central Cairo in which virtually all the pressures within the country are illustrated. It was “the best-selling novel in the Middle East for two years and the inspiration for the biggest budget movie ever produced in Egypt,” according to National Geographic. Now Al Aswany may become even more famous for a series of articles he wrote for the Arabic press from 2005 to the present. Always a believer in human rights, which he believed were being trampled under the thirty-year rule of Hosni Mubarak, who appeared to be preparing the country for a handover of power to his son Gamal, the author became a vocal supporter of those who began to challenge Mubarak publicly beginning in 2005. In a series of regular articles and columns that he wrote for an Egyptian audience, Al Aswany used his popularity and literary power to try to reach all elements of Egyptian society, examining some of the issues which separated Egyptians from each other in an effort to show the importance of cooperation for the larger purpose of bringing about democracy in a country which had known only despotism, poverty, and corruption for decades. This book, published by the American University in Cairo Press, is a collection of these articles, written primarily between the summer of 2009 and October, 2010. Explaining complex issues in language which all can understand, Al Aswany worked toward a new beginning in Egypt
Read Full Post »
Those who are interested in reading about the sociological underpinnings of the current rebellion in Egypt will be interested in a novel which has been the best-selling novel in the Middle East for the past two years. It is also the basis of a blockbuster film. Please don’t miss this, if you are interested in reading about the issues that have come to the fore in Egypt in the past week.
Read Full Post »
Set in the 1940s and published in 1945, Cairo Modern is, by turns, ironic, satirical, farcical, and, ultimately, cynical, as the author creates a morality tale which takes place in a country in which life’s most basic guiding principles are still undetermined. World War II has kept the British in Egypt as a foreign power, a weak Egyptian monarchy is under siege by reformers, and the army is growing. The plight of the poor is an urgent national problem. Among the four Cairo University students who open the novel, Mahgub Abd al-Da’im is the poorest, living on a pittance, which is all his father and mother can provide him. After graduation, however, a “friend” comes up with an unusual way for him to get a good job with the government.
Read Full Post »
Eleven years after the publication of Fugitive Pieces, her only other novel (and winner of the Orange Prize), Anne Michaels has published a monumental philosophical novel which is also exciting to read for its characters and their conflicts. Complex and fully integrated themes form the superstructure of the novel in which seemingly ordinary people deal with issues of life and death, love and death, the primacy of memory, the search for spiritual solace, and the integrity of man’s relationships with the earth and the water that makes the earth habitable. The first part deals with the excavation of Abu Simbel and its relocation above the cliffs when Lake Nasser was created. The second with the St. Lawrence Seaway and the dispossessions that caused as a new lake was formed, and the third with the rebuilding of Warsaw after World War II. Michaels’s talent as a poet is obvious in her gorgeous ruminations about the meaning of love and life, and in her evocative, unique imagery, but the beauty of the language is matched by the richness of the novel’s underlying concepts, which give depth and significance to this challenging and satisfying novel.
Read Full Post »
