Consisting of nine short stories, all of which are about love, This is How You Lose Her describes whole worlds within the title itself. Four of the stories are named for the speaker’s lovers, and all of them reflect the speaker’s inability to experience love on a plane higher than that of the physical, which drives every aspect of the speaker’s life. With a title that sounds a bit like an instructional manual by a now-frustrated macho man who is telling other similarly frustrated men how they can manipulate relationships in order to get and keep what they have – or at least not lose it – this collection of stories reveals the behaviors of several male speakers who have no clue about how to experience lasting love. Nor, it seems, do most of them even seem to want one single lasting love when two or more loves can provide at least twice as many thrills, twice as often. With Yunior, who appeared in both Diaz’s first story collection, Drown, and in The Brief Wondrous Life of Oscar Wao, as a main character in several of these stories, the narratives move back and forth in time, and for anyone who has read the biography of the author in Wikipedia or elsewhere, they become almost spooky in their closeness to the biography of the author himself.
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Wanting to find serenity, a new life, and maybe even a new love, Kerrigan has arrived in Copenhagen, the birthplace of his mother, hoping for changes in his own life, but “like Gilgamesh he kept finding instead a Divine Alewife who filled his glass and chanted” words like those above, urging him, instead, to eat, drink, and be merry. Kerrigan, who has a Ph.D. in literature, experienced a personal disaster three years ago, one in which he lost his young wife, his three-year-old daughter, and an unborn child, and he has come to believe that “that is how all stories end. With the naked, withered Christmas tree tilted against the trash barrel.” Now, as the new millennium is about to arrive, Kerrigan plans to “clothe himself in [Copenhagen’s] thousand years of history, let its wounds be his wounds, let its poets’ songs fill his soul, let its food fill his belly, its drink temper his reason, its jazz sing in the ears of his mind, its light and art and nature and seasons wrap themselves about him and keep him safe from chaos.” For Kennedy, as he relates the story of Kerrigan, Copenhagen becomes the equivalent of the Dublin which Stephen Dedalus explores in James Joyce’s Ulysses.
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Posted in 8-2013 Reviews, Egypt, Ethiopia, Exploration, Historical, Kenya, Social and Political Issues, South Africa, Tanzania, Uganda on Jun 7th, 2013
In Dark Star Safari (2002), author Paul Theroux travels along Africa’s east coast from Egypt to South Africa, through Ethiopia, Kenya, Tanzania, and other countries. Though he begins his trip full of hope, he discovers that life on Africa’s east coast, as seen here in 2002, is not what he remembered from his Peace Corps days. Then he had been a volunteer in Malawi and a teacher in Uganda, leaving the country just as Idi Amin came to power. Despite the political upheavals of the 1960′s, his memories of Africa during that time are good ones. In 2002, approaching his sixtieth birthday, he is determined to travel from Cairo to Cape Town, believing that the continent “contain[s] many untold tales and some hope and comedy and sweetness, too,” and that there is “more to Africa than misery and terror,” something he aims to discover as he “wander[s] the antique hinterland.”
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Danish author Jussi Adler-Olsen’s third mystery to be translated into English continues the characters he introduced with The Keeper of Lost Causes and The Absent One, both of which topped of best-seller lists in Europe for almost a year. Carl Morck, the lead detective of these novels, suffers from post-traumatic stress disorder as a result of a shootout several years ago in which one of his friends was killed and the other, a six foot-nine inch giant, was left a quadriplegic. Morck’s drinking does not help his attitude, nor does his unfortunate love life. Relegated to “Department Q,” created especially for him, and located deep in the basement of the Copenhagen Police Department, he is assigned the cold cases to keep him out of the way. A several kidnappings over thirteen years, involving the children of members of religious sects, becomes the focus of a series of investigations by Morck and his intriguing assistant, Assad. Though it is difficult to imagine any five hundred page mystery being more complex, this mystery is so well organized, and the characters and actions are so well integrated, that it is easy to see why this novel has won so many prizes in Scandinavia and why it has been so popular. The characters are all observed in action, with lively dialogue, as well as first person commentary, and whole episodes are devoted individually to each of the main characters and their associates. A good stand-alone.
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In this thought-provoking and often enigmatic novel, Abdourahman Waberi reflects on the series of horrors – political, economic, religious, and environmental – which have dominated Djibouti in recent years, using five different speakers, each of whom comments on his life, past and present, often switching back and forth within a single monologue. The novel opens at Roissy Airport (Charles de Gaulle), where Bashir Assoweh, an uneducated, adolescent veteran of Djibouti’s civil war is hoping for admission into France, and asylum. Drafted to fight for his government against rebels, he has now been demobilized but never paid for his efforts. The war is over – “a tie game” – but he no longer has a home or family to return to, forced to spend his nights camping out in a tent beside the water, carousing with other young veterans, committing minor robberies, and smoking dope. Standing at Roissy, beside a middle-aged intellectual named Harbi, who will almost certainly be granted asylum because he has been an active opponent of the regime of Ali Arif, Bashir is assumed to be Harbi’s son. Neither of them corrects the French at Immigration. Abdo-Julien, Harbi’s real son, is not with Harbi, his whereabouts unclear, and Alice, Harbi’s French wife, is also not present. As the novel unfolds through monologues by five different speakers, the horrors of Djibouti’s recent history unfold.
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