When Sarah Moss, a physician in Madison, Wisconsin, falls in love with a fellow student, Ibrahim Suleiman of Khobar, Saudi Arabia, she is unable to persuade him to stay in the US. Instead, he persuades her to go to Saudi Arabia, where she obtains a job at the Suleiman Hospital in Khobar to see if she can adjust to Saudi life. What follows is a comprehensive exploration of Saudi families and Saudi society, especially the society of women and their roles in the larger Saudi world, and as Sarah learns more about the world of Saudi women, she must decide whether she can live among them forever as Ib’s wife. As the culture is explored, the reader can truly imagine what it would be like to be a woman living in this family. The way that women achieve levels of freedom on their own, despite the restrictions; their urge for independence but their flexibility within their culture; traditional bridal customs and marriage preparations; and the special society that women share with each other without the presence of men are both fascinating and well integrated into the story of Sarah’s life in Saudi Arabia.
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Set in Kuwait in the time between the two Gulf wars, Small Kingdoms is as close to a perfect novel as I’ve seen in years. Not a word is out of place. Every image works, and many show a startling originality. All the plot lines are successful, without an overwhelming reliance on coincidence to tie them together and resolve them at the end. The characters, even those from Kuwait, with their completely different society and culture, feel natural and comfortable as we read about them, people we can recognize for their common humanity and can respect for their differences from our own way of thinking. The novel is rich with ideas, complete in the depiction of cultural differences and sensitive to ideas which Americans, especially women, may find alien, ideas which are an integral part of Kuwaiti Muslim culture. (On my Favorites List for 2010)
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Author Tierno Monenembo recreates the story of Aime Olivier de Sanderval, an almost forgotten Frenchman who followed a childhood dream by going to remote Africa in 1879, describing Olivier’s experiences in Guinea just before it became an unwilling colony of France. Olivier was not representing the government when he arrived in Guinea and did not believe in colonization in the traditional sense. An explorer with an almost mystical sense of destiny, he wanted to build a railroad from the beautiful hill country in the center of the country to the coast so that he could create trading posts and ultimately claim for himself the plateau of Fouta Djallon, “a land of rushing water and fruit, pure milk and wise men! The land that quenches your thirst.” The realities of tribal Guinea, with its internecine wars, its completely different cultures, and its total connection to the land intrude immediately upon his arrival, however. Naively, he tries to befriend the various groups and the leaders that he meets as he travels from the coast to central Guinea, but he has no conception of the long, historical rivalries among groups, of their experiences with previous white visitors, or of their ways of governing.
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In much the same way that Virginia Woolf focuses on one day in the life of Mrs. Dalloway, in the aftermath of World War I, to show the dramatic changes in everyday British life as a result of the war, author Mollie Panter-Downes shows the equally dramatic changes which have occurred in Wealding, near Portsmouth in the south of England, in 1946, in the aftermath of World War II. Panter-Downes lived in the picturesque village of Haslemere, and she uses her own experience to create sensitive, often unique, images about everyday life in her town (which becomes Wealding). Here she creates a vibrant portrait of ordinary people coping, or not coping, with a whole new way of life. In lush, often musical prose, she appeals to the reader’s senses, as well as the heart, as the Marshall family–wife Laura, husband Stephen, and daughter Victoria–go about their business in a world which no longer resembles anything they have known before. The village, the author tells us, “had very slightly curdled and changed colour.”
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If there is truly a separate genre known as a “Jewish novel,” then this novel would have to be its crowning achievement. An expansive and wide-ranging novel about the many facets of being Jewish (or “Finklerish,” as Treslove sees it), The Finkler Question examines the lives of three friends: Julian Treslove, a now forty-nine-year-old Gentile, has always been fascinated by all things Jewish. A romantic who has never been able to maintain a relationship, Julian has been abandoned by all of the women he’s known in the past, including the two who bore his sons. Sam Finkler, Julian’s former classmate, writes wildly popular (and popularized) editions of philosophical ideas “for all occasions.” Libor Sevcik, almost ninety, their former teacher, who eventually became a commentator on the entertainment business, has just lost his devoted wife of over fifty years, and his former students have been trying to see him more often because he feels so lost. As the three interact and share their lives with each other (and the reader), often hilariously, the author takes the unusual approach of showing how these actions reflect both their interdependencies and their religion–or lack of it.
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