SEEING THE WORLD THROUGH BOOKS

The Moresbys are about to get “all the way into life” in ways they have never expected. Having left the United States for an adventure in Morocco, main character Porter Moresby is careful to describe himself as a traveler, not a tourist. “The difference is partly one of time, he [explains]. Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler, belonging no more to one place than another, moves slowly, over periods of years, from one part of the earth to another.” This is the Moresbys’ first trip across the Atlantic since 1939, since all of Europe and much of Africa has been consumed for ten years with World War II and its aftereffects. In 1949, when they decide to do some traveling, North Africa is one of the few places to which they can obtain boat passage. In this unusual and thoughtful debut novel, Bowles takes crass Americans out of their normal post-war environment, allowing the reader to see them in a more universal context. This is not a love story, by any means, despite Bernardo Bertolucci’s attempt to make it one in his 1990 film adaptation with Debra Winger and John Malkovich. Instead, the two main characters are so limited, both in their relationships with their peers and in relationships with the wider, outside world that neither is fully capable of feeling real emotion for anyone other than self. Their trip is a disaster. One of Modern’s Library’s 100 Best Novels of All Time.

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Zachary Karabashliev creates a darkly humorous, entertaining, and compulsively readable novel so full of life that it bursts its way through several different genres. First, it is a love story, though in this case, it is a love story gone awry: the main character, also named Zack Karabashliev, has been living alone, miserably, at his home in San Diego for the past nine days, his wife having left him. It is also a story of the immigrant experience, in that Zack and his wife Stella met as students in Varna, Bulgaria, in 1988, and came to the United States as graduate students, working at several different kinds of jobs until they finally found financial, if not personal, success. The novel also becomes a quest, when Zack, in despair over the absence of Stella, decides to drive to New York to meet friends, traveling from California through the southwest and across the Mississippi and Midwest, stopping at small towns and bars along the way and observing how others live their lives. What makes this novel most unusual, however, is that it is also a well-developed metaphysical exploration of what it means to be alive, how we see our lives in the continuum of time, and where and whether happiness and an appreciation of beauty fit into the picture at all. Funny, poignant, and chock full of twists, turns, and surprises.

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Australian Patrick White’s genius for story-telling is on full display in this big,old-fashioned saga filled with intriguing characters exploring the difficult terrain of their inner lives. For a number of characters, all male, that personal inner journey is also part of a daring adventure they make into the interior of Australia in the mid-nineteenth century, an area previously unexplored by the white people who have recently discovered this continent. The female characters in Sydney during this same period have a far more difficult time exploring their inner natures, even in the unlikely event that they might be interested in doing so. Here, the women are very much a product of their upbringing in the early years of Queen Victoria’s reign. As the daughters and wives of successful merchants or entrepreneurs, their educations have been in the social graces far more than in academic learning as they ready themselves for their perceived roles in society as the wives of successful men and mothers of a new generation of Australian gentry. The novel is satisfying on every level, thematically, historically, and emotionally, and the characters are memorable. His descriptions are unparalleled, especially in the clever, often satiric presentations of some of the more unpleasant characters, introduced only briefly.

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From the first pages to the last, this refreshing, original, imaginative, thoughtful – and often humorous – debut novel kept me glued to the chair, reading as fast as I could while trying to force myself to read more slowly to savor the fun to the utmost. I confess that I have never been a fan of fantasy, and my knowledge of computer science would fit into a URL line, but I was completely charmed by the style of this novel, an unusual mix of ephemera and cutting edge computer science, and I became totally caught up in it – not just for the excitement of the story itself, but for the ideas it presents and the hints it gives of the future of writing itself. Sure to be at the top of my list of Favorites for the year, Mr. Penumbra’s 24-Hour Bookstore may be every serious reader’s fantasy, a novel in which an innocent and unsuspecting person takes a night job at a bookstore where he inhabits the world of ancient manuscripts and ancient typefaces – only to discover that his seemingly innocuous, middle-of-the-night customers are all part of a secret cult working to fulfill a six-hundred-year-old mission, the nature of which is unknown to him.

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Mario Vargas Llosa opens this fictionalized biography of Roger Casement as Casement awaits a decision on his application for clemency from a death sentence. As he reconstructs Casement’s life as a reformer and advocate for benighted native populations being exploited by various countries and corporations, he returns again and again to Casement throughout the novel as he rethinks every aspect of his life. Casement concludes, in most cases, that he acted honorably – or tried to. An advocate for indigenous populations exploited by governments and corporations, Casement has revealed the horrors of the Congo under the rule of Leopold II, and of Amazonia at the turn of the century, when a Peruvian entrepreneur controls vast quantities of land over which he has total control. His rubber company has many London investors. Ultimately, Casement believes that the Irish who are being ruled by the British have similar problems to indigenous populations, and he acts against the British and must face the consequences.

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