“Make ’em laugh, make ’em weep, make ’em wait, and make ’em come back.” This advice for writing serial romances, alternately attributed to Wilkie Collins, Charles Dickens, and Charles Reade, is epitomized in this 1860 novel by Collins, a story of thwarted love, a marriage of obligation, claims on inheritance, the victimization of women, and, most of all, engaging mystery. Collins, often credited as the father of the mystery genre, creates a fast-paced story of Victorian England, revealing much about Victorian society and its values–the role of women, the laws governing marriage and inheritance, the social institutions of the day, the contrasting attitudes toward the aristocracy and the lower classes, and even the level of medical care and the treatment of psychological illness. The almost-forgotten author of twenty-five novels, Collins was one of the most successful authors of Victorian mysteries, and he is gaining new attention as a result of reprints of this novel and The Moonstone.
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Set in Cloisterham, a cathedral town, Dickens’s final novel, unfinished, introduces two elements unusual for Dickens–opium-eating and the church. In the opening scene, John Jasper, music teacher and soloist in the cathedral choir, awakens from an opium trance in a flat with two other semi-conscious men and their supplier, an old woman named Puffer, and then hurries off to daily vespers. Jasper, aged twenty-six, is the uncle and guardian of Edwin Drood, only a few years younger. Drood has been the fiancé of Rosa Bud for most of his life, an arrangement made by his and Rosa’s deceased fathers to honor their friendship, and the wedding is expected within the year. Jasper, Rosa’s music teacher, is secretly in love with her, though she finds him repellent. Especially intriguing because it is unfinished, this novel continues to fascinate mystery lovers and literary scholars more than a century after its first publication.
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Fans of the Sherlock Holmes series may be as surprised as I was by the complete change of style that this novel represents for its author. Gone are the formulaic and formal language, the stilted dialogue, and the gamesmanship between author and reader that characterize the Holmes novels, however delightful and successful those may be as mysteries. Instead, we see Doyle letting his imagination run free in a sci-fi romp that is both fun and funny, and often thoughtful. Written in 1912, during an eight-year hiatus from his Sherlock Holmes novels, and six years after his last “historical novel,” The Lost World is the first of five works involving temperamental Professor Edward Challenger, a scientist investigating evolution and related subjects. Challenger is a scientific outcast, vilified for his most recent paper, in which he claimed to have seen dinosaurs and other pre-historic creatures in a remote area of South America, but which he refuses to locate on a map.
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Graham Greene’s most elaborate and personal examination of the good life–and the role of the Catholic church in teaching what the good life is–revolves around an unnamed “whiskey priest” in Mexico in the 1930s. Religious persecution is rife as secular rulers, wanting to bring about social change, blame the church for the country’s ills. When the novel opens, the church, its priests, and all its symbols have been banned for the past eight years from a state near Veracruz. Priests have been expelled, murdered, or forced to renounce their callings. The whiskey priest, however, has stayed, bringing whatever solace he can to the poor who need him, while at the same time finding solace himself in the bottle. Pursued by a police lieutenant who believes that justice for all can only occur if the church is destroyed, and by a mestizo, who is seeking the substantial reward for turning him in, the desperate priest finally decides to escape to a nearby state. (To read the full review, click on the title of this excerpt.)
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Written originally as the outline for the screenplay of the famous 1949 film of the same name, Greene sets the story in Vienna just after World War II, employing the sectors established by the conquering British, Americans, French, and Russians to provide tension, mystery, and an almost palpable aura of menace as residents and visitors alike must deal with four different governments, four sets of officials, and four collections of laws as they move throughout the city. With massive bomb damage, the city is still emerging from devastation. Black markets, selling everything from food to penicillin, abound. Rollo Martins, the author of cowboy novels written under the name of Buck Dexter, arrives in Vienna to visit an old school friend, Harry Lime, only to find that he has arrived on the day of Lime’s funeral. Investigating Lime’s death, Martins learns that a neighbor saw the traffic accident that killed Lime and observed three men carrying Lime’s body from the scene. Only two of those men have been identified–the third man has vanished. (To read the full review, click on the title of this excerpt.)
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