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Category Archive for '9a-2011 Reviews'

Usually when I read a novel described as “controversial,” I find myself seeing both sides of the controversy and writing about both sides when I write a review. With this novel, however, I was so exhilarated at the author’s bold originality, his ability to juggle his characters’ vibrant and creative inner lives while also examining the depressing circumstances under which they lived, the sweeping historical scope which includes the entire twentieth century, and his total control of language with all its potential to amaze with its images and ideas, that this review will be, I hope, a celebration of one of the best and most innovative books I have read in a long time. Ulrich, the Bulgarian main character, is almost a hundred years old as the novel opens. Blind, impoverished (after all the failed economic experiments of the various governments in Bulgaria), and alone, he spends his days looking out a window from which he cannot see. His inner world, however, is lively and filled with events, real and imagined. What follows, is an extraordinary novel, however, controversial in its structure, which I found riveting. One of my favorites for the year.

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Recovered physically but not emotionally from an accident which cost the life of his fiancée, followed by a downward spiral which led to his breaking of a superior officer’s nose, J McNee has wisely left the CID and has been working as a private investigator in his home town of Dundee, Scotland. Morose and cynical, he suffers from agonizing psychosomatic injuries which sometimes nearly paralyze him as a result of the violence of his past life. When he is asked to investigate a missing person by reporter Cameron Connolly, a wheelchair-bound man whose spine was broken by members of the local drug trade which he had been investigating, McNee takes the job, “off the books,” working in parallel with the Dundee CID. The missing person is Mary Furst, a fourteen-year-old girl, a promising student and artist, who is also the god-daughter of David Burns, a thug who is “knuckle deep in drug money, extortion, rackets, underground deals, and blackmail.”

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Set in Damascus, Syria, from 1931 through 1956, The Calligrapher’s Secret seems, on the surface, to be an impressionistic and romantic novel which strolls at its own leisurely pace, dropping in on first one character and then another, moving back and forth in time and across ethnic, religious, and social groups. Several main characters and families share their lives and problems, and, in the process, convey an intimate picture of life in Damascus, filled with vibrant descriptions of the city, its neighborhoods, and its varied social life. The novel is much more than a series of little domestic stories, however charming and interesting these may sometimes be. It is also a serious exploration of the issues surrounding Arabic calligraphy, issues so serious that some who want to make Arabic script more modern, so it can accommodate new words from science and philosophy, face death threats and personal attacks by traditionalists. They consider the language of the Quran, the word of God, to be sacred, inviolable, unchanging.

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Darlng Jim has every characteristic that I usually avoid in novels–it’s melodramatic, gothic, completely unrealistic, filled with horror and romance and magic, and over-the-top with coincidence, bloody medieval battles, and men turning into wolves. And I enjoyed every minute of it! From the opening pages to the absolutely perfect (and perfectly outrageous) ending, I was under its spell, smiling at the author’s deliberate manipulation of my feelings, his unembarrassed use of well-worn plot devices, and his comic book style of narrative which kept the action coming and coming and coming—a book to be read for pure, unadulterated fun! Danish author Christian Moerk “breaks the rules” by setting this terrific story in Ireland, both contemporary and ancient, and does so with panache and flair–and with a huge smile on his face.

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Nominated for the Booker Prize in 1982, when it was first published in London, Wish Her Safe at Home is a startling novel with an even more startling main character, Rachel Waring, a forty-seven-year-old woman who has a dead end job, a cynical roommate, and no friends. Brought up by an overbearing mother whose sense of “correct behavior” seems to have ruined any chances Rachel might have had for a happy life, she is lonely and repressed, with absolutely no understanding of how to meet and make connections with strangers. Every event here is filtered through Rachel’s own mind, and when she becomes the sole beneficiary of an elderly aunt’s Georgian home in Bristol, she decides to leave London and her roommate. Once ensconced in the old house, which she proceeds to refurbish and refurnish, however, she becomes a “new woman.” As her voice becomes increasingly confidential and revelatory, the involved reader cannot help but recognize with alarm the growing contrast between Rachel as she sees herself and Rachel as she appears to the rest of the world. Classic psychological novel.

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