It is no overstatement to compare Swedish author Steve Sem-Sandberg’s epic novel about the people in the Lodz ghetto during World War II to Tolstoy’s War and Peace, published almost one hundred fifty years earlier. The real life dramas which the book illustrates, the memorable characters, the carefully developed themes which Sem-Sandburg treats in new ways, and the magnitude of the horrors easily make this book the equal of Tolstoy’s epic. The nature of the subject matter, of course, precludes any hint of romanticism here, but Sem-Sandburg is so good at varying scenes involving a series of fully human, repeating characters, that I cannot imagine any reader not becoming fully engaged with them, even though their stories have been created from piles of archival records, lists, and photographs and obviously have no happy endings. Beautifully written to memorialize the people of the ghetto, rather than the horrors of the Holocaust itself, this book is an awe-inspiring literary achievement.
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If ever there were anyone who had an excuse to grind axes, it would be Eva Gabrielsson, who lived with author Stieg Larsson for thirty-two years but who, through a loophole in Swedish law, inherited nothing upon his death at age fifty in November, 2004, his entire estate going, by law, to his estranged brother and father. Gabrielsson has said many times, and repeats often throughout this book, that she is not personally interested in the enormous sums which the posthumous sales of his Millenium Trilogy have generated—forty million books sold, plus rights to audiobooks and films, including three Swedish films and one American film not yet released. As dedicated to social causes as Larsson was, she is fighting, instead, for control of his literary legacy, especially alarmed because “a myth has sprung up: the ‘Millennium Stieg’…[which] casts him as the hero of the trilogy…[though] Stieg didn’t wait for the Millennium books to be what he was.”
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Camilla Lackberg is the most profitable author in Swedish history, outstripping even Stieg Larsson in total book sales. Setting her novels in Fjallbacka, Sweden, a small fishing village in western Sweden (and her home town), Lackberg shows that even small fishing villages hold secrets, including murder. In this second novel in the Fjallbacka series, Chief Investigator Patrik Englund learns that six-year-old has discovered a woman’s naked and beaten body in a ravine. Underneath that body are the skeletons of two more women who disappeared in 1979. Autopsies prove that all three had been slowly tortured over the course of many days before merciful death interceded. Lackberg spends as much time on the lives and motivations of her characters as she does on plot development, and when yet another young girl disappears from town, Patrik and his crew (which also has frictions and rivalries) realize they may have a chance to find her before she dies of the same tortures which were inflicted on the previous young women. Good psychological insights by a young author.
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Anyone who enjoys mysteries is surely familiar by now with the growing list of Nordic authors who specialize in crime and all its horror, but these authors do not write purely for macabre sensation (though the macabre is not unknown to them). All are writers with larger themes and scopes, and many use repeating characters who keep the reader involved as they solve new crimes and reveal more and more personal aspects from their own lives. For Stieg Larsson, it was journalist Mikael Blomqvist and his computer expert friend Lisbeth Salander. For Henning Mankell, it is Kurt Wallender. For Arnaldur Indridason, the darkest of the novelists, it is Inspector Erlendur, known by his last name almost exclusively. Jo Nesbo features Harry Hole, and Karin Fossum, the most psychological of the authors, repeats with Inspecter Sejer. For Camilla Lackberg, all her novels take place in her own hometown, Fjallbacka, a fishing community in which the whole town’s characters play a role. Her second novel to be translated into English, THE PREACHER, is due in April. (Links to reviews of books by six authors follow.)
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Eva Gabrielsson, the common-law wife of Swedish author Stieg Larsson, has finally published her own book about Larsson, his books, their thirty-two years of living together, and his legacy, which she believes has been sullied by his father and brother who have claimed the multimillion dollar estate and all rights to his work. According to Slate.com, Gabrielsson’s book, which is apparently her revenge against the commercialization of his legacy, also discusses the fourth book in the Millenium series, which is on a laptop in her posssession. The English translation of this book is available for pre-order on Amazon.com.
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