Dr. Raj Kumar, the speaker of this ambitious and often exhilarating novel, decides, ultimately, that “What holds things together is more important than what separates them,” but by the time he discovers this, he has explored the world on more levels and examined life in more detail than many other authors do in ten novels. I cannot recall a novel which has kept me reading so slowly and so happily for so long as this one did. Brimming with unusual insights, the novel remains firmly focused on life itself, not just on the speaker’s life, but on the grandest and sometimes most horrific aspects of life—socially, historically, artistically, scientifically, and even cosmically. As I read this, I was breathless, in awe of author Jaspreet Singh’s creativity, vision, and his literary execution. The speaker, Dr. Raj Kumar, has just returned to Delhi for the first time in twenty-five years. He has been a professor at Cornell, but he is now trying to understand himself and his own search for information about an event which has left him traumatized for more than two decades. Married and the father of two American children, Raj is essentially a loner, preferring isolation and solitude as he returns to India. Here he sorts through the flow of his own memories and tries to understand them and their significance in the context in which they have occurred. In the process, he also discovers that events that he knows nothing about have affected those around him in extraordinary ways. Ultimately, he must uncover the whole past if he is to understand who he really is and what his obligations are, if any, as a human being.
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In this newly reprinted novel from 1938, considered the “first jazz novel” ever written, author Dorothy Baker takes the reader into the mind and heart of a young white boy whose desire to excel as a creative jazz musician is so overwhelming that he lets nothing get in his way – not the fact that he is only a child when he begins to pursue his interest, not the fact that he is an orphan living virtually alone with a young aunt and uncle who are home only once or twice a week, not the fact that he is supposed to be in school, and not the fact that he has no instrument at all that he can play. Born in Georgia, Paul Martin has recently moved to a poor section of Los Angeles where his guardians have found work. Though he is not a good student in his school’s assigned subjects (and cannot remember how much seven times seven is), he has learned to read music and “could memorize like a flash anything that had any swing to it, anything that he could take hold of rhythmically.” Becoming a truant in order to practice piano in a mission church, Rick eventually switches to the trumpet and eventually finds success in jazz clubs in California and New York. The obsession of creative jazz musicians for perfect moments is clearly depicted here, and the author’s ability to bring the reader into the mind of the creative artist is stunning. The obsession of Rick Martin for more and more and more, and his inability to take a rest, as he begins relying on alcohol to keep going, shows the powerful drive of some creative talents such as that of Rick (and for the model for this character, Bix Beiderbecke)
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As the novel opens, an unnamed forty-year-old man meets a pretty girl at a hotel bar at four o’clock one afternoon in the 1950s, and lonely and cynical, and looking to connect with her, he promises to tell her a story. He confesses, however, that “I don’t know anymore, what things signify; I have difficulty now identifying them; a sort of woodenness has come over me,” a “woodenness” which leads him to use her as a passive sounding board while he relives his previous relationship with another woman whom he believes he loved. What follows are the random maunderings of an insensitive man who has no idea who he is or what he is doing, and since he is the only speaker in the novel, the primary listener to his story becomes, in effect, the reader, rather than the pretty listener at the bar. Alfred Hayes’s brilliance as a writer and careful observer of human nature is challenged to its limits with this novel with only one speaker. Despite the flawed and uninteresting main character, however, Hayes succeeds in making the speaker’s situation intriguing enough that the reader wants to know whether he gets his well-deserved comeuppance, whether he learns anything, or whether he simply moves on to another lover. Outstanding novel.
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From the opening page of this simply narrated story, author Hiromi Kawakami establishes characters who, in their disarming complexity and iconoclastic behavior, behave differently from the expectations that many American readers of Japanese novels may have come to expect. Tsukiko Omachi, a single businesswoman of thirty-eight, introduces herself as the narrator of the novel by describing her meeting with Mr. Harutsuna Matsumoto at a crowded bar after she finishes work. Tsukiko is not a traditional Japanese woman, and the man she meets is not a contemporary trying to pick her up. She is aggressive, accustomed to living her own life without interference from anyone else, Matsumoto, a man about thirty years older than she, has recognized her from the past – she was a student in one of his Japanese classes in high school, years ago. After two years of casual (non-exclusive) meetings, Tsukiko begins to be able to predict what Sensei will say under various circumstances, and when she takes walks alone she begins to wonder what Sensei is doing. Though some readers may become frustrated by the excruciatingly slow pace at which the relationship between Tsukiko and Sensei develops, with long months often elapsing between some of the key events, the author’s ability to show the subtle changes which occur between these two strong and independent people will delight lovers of precise writing and careful development.
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The adult characters in My Brilliant Friend share their lives in an economically depressed community on the fringes of Naples in the early 1950s, people who are still traumatized by the war and the disasters, both personal and financial, that have resulted from it. Like their children, they live in the moment – passionately, emotionally, and often violently. They have intermarried over the years, and their children play together and will also, in all likelihood, marry each other. The bulk of the novel details Elena Greco’s relationship with Lila Cerullo from the time they are six years old in the early 1950s. Elena is a conscientious student and works hard, but Lila, who is incorrigible in her behavior, is an instinctive student who taught herself how to read when she was three. Between the beginning and the end of this novel, when the two friends are sixteen, author Elena Ferrante creates a vivid picture of Neapolitan life from the early 1950s to the early 1960s as times change and people must either change, too, or be left behind. Both women are aware from the outset that it is the men of the family who determine one’s social class and who control virtually every aspect of family life. The competition for “appropriate” suitors within their small neighborhood, as the girls in the neighborhood reach puberty, becomes fierce. This well-developed family saga is the first of a trilogy, which continues up to the present. Well done narrative with wide appeal.
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