Eerily prescient in its depiction of the overwhelming desire among Islamic populations to take action to establish sovereign Islamic governments and free themselves from tyranny in North Africa and the Middle East, this 1955 novel should have been a wake-up call to the western world half a century ago when it was written. Paul Bowles (1910 – 1999), an American expatriate who lived in Morocco for over fifty years, was an eyewitness to the uprisings which occurred there in 1954 after the French deposed the much-loved Sultan Mohammed V. The tumult that developed in Fez in the wake of the Sultan’s removal, and the many factions that evolved within the local population in response to colonial high-handedness, will strike a familiar chord among contemporary readers who are now seeing exactly the same issues being addressed by residents of many other countries in the region, with the same kind of attendant violence provoking the same perplexity among western powers. A novel to fascinate anyone who has any interest at all in the current issues rending North Africa and the Middle East.
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For lovers of Nordic Noir, there’s a new guy in town—at least someone new to me. K. O. Dahl (Kjell Ola Dahl), a highly respected and prize-winning author in Norway, has just had his third novel published in the U.S., though it was the first of the three books to be published in the series in Norway. Featuring pudgy Detective Frank Frolich and his boss, the taciturn Chief Inspector Gunnarstranda, Dahl focuses more on the victims and those who surround them than he does on his sleuths, not even giving physical descriptions of his detectives till many pages into the book. This focuses the action clearly on the victim(s) and helps create a suspenseful and often dramatic novel which sometimes devolves into philosophical, social, and psychological discussions as his characters meet and interact. When a young woman who has almost completed three years of drug rehab is found dead above a lake, Det. Frolich and Chief Insp. Gunnarstranda investigate her past to find her killer.
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Anyone who enjoys mysteries is surely familiar by now with the growing list of Nordic authors who specialize in crime and all its horror, but these authors do not write purely for macabre sensation (though the macabre is not unknown to them). All are writers with larger themes and scopes, and many use repeating characters who keep the reader involved as they solve new crimes and reveal more and more personal aspects from their own lives. For Stieg Larsson, it was journalist Mikael Blomqvist and his computer expert friend Lisbeth Salander. For Henning Mankell, it is Kurt Wallender. For Arnaldur Indridason, the darkest of the novelists, it is Inspector Erlendur, known by his last name almost exclusively. Jo Nesbo features Harry Hole, and Karin Fossum, the most psychological of the authors, repeats with Inspecter Sejer. For Camilla Lackberg, all her novels take place in her own hometown, Fjallbacka, a fishing community in which the whole town’s characters play a role. Her second novel to be translated into English, THE PREACHER, is due in April. (Links to reviews of books by six authors follow.)
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When Lisa Napoli, a journalist who had worked for public radio and CNN, attends a cookbook party in New York City, her friend Harris introduces her to a singularly attractive man. The handsome friend, Sebastian, is about to accompany him to Bhutan to do research for an article for Gourmet magazine. Napoli soon discovers through conversations with the two men that Bhutan is “the happiest place on earth” a place that keeps a “Gross National Happiness Index.” In the midst of a midlife crisis, Napoli feels she has “been there, done that” for too long in the same job, adrift socially after the breakup of a long-term relationship. Now forty-three and childless, she reluctantly returns to her job at her home base in Los Angeles. Three weeks later, she receives an e-mail, asking her if she’d like to go to Bhutan to help with the start-up of a radio station, Kuzoo FM. With scarcely a second thought, she obtains a six-week leave of absence from her job and takes off for Bhutan, a Himalayan kingdom known as the Land of the Thunder Dragon.
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With a poet’s sensitivity to words and images, and a ballad-singer’s awareness of cadences and narrative tension, Michael Crummey creates a rich novel of Newfoundland from the nineteenth century through World War I. Deftly combining the brutal realities of subsistence fishermen and farmers with the mythic tales that give hope to their lives, he traces the lives of two families through six generations in Paradise Deep and the Gut, rural areas worlds away from life in St. John’s. With its huge scope in time and its limited scope in location, the novel straddles the line between the epic and the comic epic, honoring the characters’ resilience as they struggle to survive during times of extreme privation (and six months of nearly paralyzing winter), while also celebrating the stories and long-held myths which give interest and even hope to their lives. The individual stories of the two main families over six generations here are complex, and two helpful genealogies at the beginning of the book may become well-worn as the reader tries to keep the characters all straight. The novel should appeal to those who enjoy historical family sagas.
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