Continuing the story of Lisbeth Salander which he began in The Girl With the Dragon Tattoo, Swedish author Stieg Larsson creates a fascinating character study of a young woman with a terrible past, a young woman who also suffers from a form of autism. Salander, having worked with Mikael Blomqvist in the preceding novel, in which she used her formidable skills as a computer hacker to help him solve a major mystery, is on her own for most of this one. Blomqvist, in the meantime, has continued with his work running Millenium magazine, which has been working on an article about the sex trade, its connection with the drug trade, and the high-ranking police and political officials who are involved in it. When two of his investigators are murdered, Lisbeth becomes involved as a hacker to help solve these murders. She herself is wanted for murder.
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The Girl with the Dragon Tattoo begins with the arrival of Mikael Blomqvist on remote Hedeby Island. Blomqvist has been hired to do research for the biography of prominent Swedish industrialist Henrik Vanger and his large family, and he is looking for a place to stay where he can avoid attention. Blomqvist, a financial journalist for Millenium magazine, is due to serve a three-month prison sentence soon for libeling a man he accused of criminal activity. The temporary job he accepts on this remote island involves the search for Harriet Vanger, Henrik’s niece who disappeared from the island when she was sixteen–thirty-seven years ago. Despite searches that continued for many years, no trace of her has ever been found. Hired to help Blomqvist in his research is an assistant, Lizbeth Salander, a disturbed young computer hacker who is under the guardianship of the state. The novel becomes an utterly compelling can’t-put-it-downer, as the reader “travels” with Blomqvist and Salander, sharing their frustrations and their physical danger as they investigate Harriet’s decades-old disappearance.
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In this novel within a novel, Australian author Thomas Keneally returns to the political themes which won him prizes for The Chant of Jimmie Blacksmith, Voices from the Forest, and Schindler’s Ark. Keneally has always been at his best depicting ordinary people facing extraordinary pressures, especially from governments bent on totalitarian rule, and this contemporary allegory is no exception. Taking place in an unnamed oil-rich country in the Middle East ruled by a tyrant who calls himself Great Uncle, the novel centers on a man calling himself “Alan Sheriff,” a short story writer given one month to write an “autobiographical novel” for which Great Uncle will take full credit. Sheriff, we learn in the opening chapter, is telling his story to a western journalist from a detention camp in an unnamed desert country, where he has languished for three years.
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When Bostonian John Quincy Winterslip is sent to Hawaii to retrieve his elderly Aunt Minerva, who has stayed with relatives in Hawaii long past the time she (and they) had originally intended, he fully expects to return home quickly. Though his family tree has long had “wanderers,” one of whom has settled in Hawaii, John Quincy knows HE is far too sensible to succumb to Hawaii’s charms. His Boston Brahmin roots, his successful investment business, and his “appropriate,” family-approved fiancee are all luring him back home. Shortly after his arrival in Honolulu, however, his uncle Dan Winterslip, with whom he is staying, is murdered in his Waikiki home. Assigned to investigate this murder is Honolulu Detective Charlie Chan. First published in 1925, the House Without a Key broke new ground in American publishing by starring an Asian detective.
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From the outset, Wilkie Collins’s 1868 “sensation novel” keeps the reader entertained and engaged as a priceless yellow diamond, stolen from a Hindu religious statue of the Moon God in India in 1799, works its black magic and controls the action. Rachel Verinder, heir of Colonel John Herncastle, who murdered to obtain the jewel during the battle of Seringapatam, inherits this possibly cursed treasure on her eighteenth birthday in 1848, only to have it vanish before she can put it into the bank. Overall, the novel is surprisingly modern in its ability to appeal to a wide audience. Collins is adept at manipulating his readership and in keeping suspense high. His characters are often engaging and frequently humorous, and in its ability to deal with social issues of the day, the novel provides pertinent commentary about colonialism, religious fanaticism, and class issues. Collins never forgets, however, that he is writing to entertain, and in this he succeeds admirably.
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