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Note:  This book has just been named WINNER of the Plutarch Award for Best Biography of 2019.

“Living a secret life meant never relaxing for a moment, and always having an explanation worked out.  Those who survived for any time were wily, with a highly developed sixth sense.  When entering a building Virginia could feel danger just by looking at the concierge, and she knew to listen at the door for unexpected voices before she went in.  One mistake made in tiredness or haste could result in disaster.”

cover woman no importanceSonia Purnell’s biography of Virginia Hall honors an American woman whose war-time exploits from 1940 – 1945 were so well planned, so well executed, and so successful in saving lives that she was honored by three countries for her efforts.

The French Croix de Guerre Avec Palme was her first, almost secret, award, an award she hid so well from the public that biographer Purnell spent years searching archives before she could confirm that it had been made at all.  The British government named her an honorary member of the Order of the British Empire.  Ultimately, she received the US Distinguished Service Cross from Gen. William Joseph “Wild Bill” Donovan, though she refused to have a formal ceremony at which President Truman would have presented the award to her publicly, for fear of endangering people who worked for her, and jeopardizing any future work she might be assigned for new, secret projects. Hall’s work in France for the British SOE (Special Operations Executive) and the American OSS (Office of Strategic Services), had put her in touch with organizations and spies from two countries as they fought the Nazis and the French Vichy government, and she had managed to remain almost anonymous because she “operated in the shadows, and that was where she was happiest.”

Portrait, Virginia Hall, the "Woman of No Importance)

Portrait, Virginia Hall, the “Woman of No Importance”

Born into an upper middle-class family in Baltimore, Virginia Hall graduated from private schools, a highly popular student there for her unconventional attitudes and her leadership capabilities. Always independent, she attended both Radcliffe and Barnard Colleges, the women’s colleges associated with Harvard and Columbia, and George Washington University, where she studied French, German, and Italian, though she did not graduate.  Deciding to continue her education in Europe, she moved to Paris in 1926, in time to enjoy the Roaring Twenties, where she quickly made connections with artists and writers, intellectuals and politicians. In 1927, she moved to Vienna to continue her studies, adding Russian to her language skills, and it was there that she was able to observe the growth of fascism, political unrest, and Hitler’s National Socialist Party in action.  In 1931, she accepted jobs in consular offices in Poland and Turkey, and it was in Turkey, on a hunting trip, that she fell and shot herself in the leg, an accident which required an amputation below the knee and the use of a prosthesis for the rest of her life.  Later assignments in Poland and Estonia further expanded her language skills, but after eight years working for the foreign service and failing to reach “diplomat status,” a position unofficially reserved for men, she resigned from the service in 1939.  When the tensions between Germany and the rest of Europe exploded, Virginia Hall returned again to her beloved France, this time as an ambulance driver for the French 9th Artillery Regiment in 1940. 

Painted by Jeff Bass, this picture shows Virgiinia Hall sending a message via her "suitcase radio." It is part of the CIA's Fine Arts collection.

Painted by Jeff Bass, this picture shows Virginia Hall sending a message via her “suitcase radio.” It is part of the CIA’s Fine Arts collection.

That same year the Germans’ takeover of Paris, the rise of Marshal Philippe Petain, and the complicity of much of France with the Nazis, led Virginia Hall to recognize “the battle of truth against tyranny.”  Leaving France and heading for Spain and later England, she connected with the newly established British Special Operations Executive there, and in April 1941, she started preparing for her first secret mission in France, modeled on the success the Irish had had against the British when the general population rose up against British rule in 1919 – 1921 and gained their independence.  The SOE believed that by stirring up the French population against their oppressors in similar ways, that France, too, might throw off the yoke of the Nazis and the Petain collaborators.  As an early SOE recruit, Virginia Hall’s innate creativity, dedication, and sheer bravery made this position a perfect “fit” for her during the war.

Author Sonia Purnell.

Author Sonia Purnell.

Insistent on maintaining absolute secrecy and taking no other agent for granted, she was able to slip through the traps that often nabbed other SOE agents less meticulous in their behavior.  One of her most famous successes was the liberation of twelve agents, arrested by Petain’s Vichy police in October, 1941, and imprisoned at Mauzac Prison where they remained until August 1942. All previous efforts by the SOE administration had failed to secure their release and the allies feared for their safety.  Using several sympathizers to help her – the wife of a prisoner, a crippled priest who smuggled a radio transmitter in under his robe, and a Corsican driver of an old Citroen truck – Virginia Hall set up a plan that required impeccable timing – “Twelve minutes, twelve men.”  As author Sonia Purnell details these plans and their execution, readers will become so caught up in Purnell’s compelling narrative, and so full of admiration for her subject, Virginia Hall, that many readers will breathe a sigh of relief and whisper a quiet “thanks” to Ms. Hall for being there.  Other daring rescues follow.

Virginia Hall receiving the Distinguished Service Cross from Gen. William "Wild Bill" Donovan. She was the only civilian woman to receive this honor.

Virginia Hall receiving the Distinguished Service Cross from Gen. William “Wild Bill” Donovan. She was the only civilian woman to receive this honor.

By late 1942, having spent two years working undercover in an area of France teeming with Germans and Vichy collaborators, including five hundred new Nazi supporters assigned in the immediate aftermath of the Mauzac escape, Virginia Hall realized that her cover was blown.  In a daring and dangerous escape in November, 1942, she and a guide, who was unaware that she was walking on an artificial leg, trekked over a 7500-foot pass in the Pyrenees to Spain, a distance of fifty miles, done in two days.  Even when she managed, eventually, to get back to England, she negotiated a return to France and her efforts there, this time arriving through the American OSS (Operation of Strategic Service).  At the end of the war, she returned to the US to work for the CIA, living quietly in her family’s former vacation house at Boxhorn Farm, Maryland, with her husband. whom she met in France.  Author Sonia Purnell, who spent years researching the life and success of Virginia Hall, has written a fully annotated biography so momentous and so gripping that it is difficult to regard this book as “academic” non-fiction.  A true story for the ages, it comes with extensive photographs which make it easy to imagine the life and bravery of Virginia Hall. Ultimately, however much I was grateful for Virginia Hall and her dedication to freedom during the war and after, I was equally grateful for Sonia Purnell who told an “untold story” and made it not just stimulating, but ultimately, inspiring.

boxhorn farm

Boxhorn Farm, formerly the summer house of Virginia Hall’s family, where she chose to live quietly with her spouse in the years after the war.

Photos:  The photo of Virginia Hall as a young woman appears on https://www.dailymail.co.uk

The painting of Virginia Hall sending a message via her “suitcase radio” is by Jeff Bass and is part of the CIA collection of Fine Arts.  https://www.smithsonianmag.com

Sonia Purnell’s photo is from https://www.penguinrandomhouse.com

Virginia Hall receiving the Distinguished Service Cross from Gen. William “Wild Bill” Donovan may be found on https://en.wikipedia.org

Boxhorn Farm, once the summer house of Virginia Hall’s family became her own residence with her husband Paul Goillot:  https://craiggralley.com/

A WOMAN OF NO IMPORTANCE
REVIEW. PHOTOS. Biography, Book Club Suggestions, England, France, Historical, Non-fiction, Social and Political Issues, United States
Written by: Sonia Purnell
Published by: Viking
Date Published: 04/09/2019
ISBN: 978-0735225299
Available in: Ebook Paperback Hardcover
 

Note: Highly acclaimed Irish author Sebastian Barry, was WINNER of the Costa Award for Days Without End (2017), the predecessor of this novel.  In 2018, Barry was CHOSEN Laureate for Irish Fiction.

“In the minds of the townspeople I was not a human creature but a savage.  Closer to a wolf than a woman.  My mother was killed like a shepherd would kill a wolf.  That’s a fact, too.  I guess there were two facts.  I was less than the least of them.  I was less than the whores in the whorehouse….something so less you could do what you wanted to it….” – Winona Cole, Lakota Indian child.

cover thousand moonsSebastian Barry’s previous novel,  Days Without Endprovides the historical background for A Thousand Moons, which features the same characters in a new, later time period. 

Two young, Irish boys, Thomas McNulty and John Cole, stowaways escaping a famine, arrived in the U.S. in the late 1840s and joined an Irish regiment in the US Army, where they participated for several years in the Indian wars throughout the West.  While there, they “adopted” Winona Cole, a six-year-old Lakota Indian child following the death of her mother during those wars.  Moving to Tennessee just before the Civil War, they lived briefly as a family, and during the Civil War, fought on the front against “the Rebs.”  The aftermath of that war, which is the subject of A Thousand Moons, shows the re-assembled family settling down on a struggling farm in West Tennessee, along with two new characters, freed slaves named Rosalie Bouguereau and her young brother Tennessee in 1870.  Though they have vastly different historical backgrounds, all the members of this culturally varied group have experienced almost unimaginable horrors in their separate lives.  Living together and sharing as a family, they find solace, and even love, in their lives within the farm, solace they do not find elsewhere with all the racism that remains within the society.

As this novel opens, Winona, now an old woman, is recollecting her past, her job working for a lawyer, “writing and reckoning numbers,” and the experiences of the “family” after the war, in which “all the years went by fleet of foot.  Like ponies running across the endless grasses.”

Young woman, perhaps similar to Winona Cole.

Young woman, perhaps similar to Winona Cole.

Suddenly, the tone of her reminiscences changes:  “That was all before Jas Jonski,” Winona notes.  “A boy that never read a book, come to think of it.  Could barely write a letter.”  And as Chapter Two begins, the novel is off to an electrifying start, never slowing down as it develops into a non-stop, emotion-filled story which nevertheless deals with big ideas, illustrated by fully developed, repeating characters, and mysteries within mysteries. Old-fashioned, in the best possible ways, the novel is written both to entertain and to reveal the post-civil war period in Tennessee, a border state in which some Irish regiments, hired by the government, ended up being paid to fight each other.  In the aftermath of war, McNulty and Cole are surprised, at first, that the causes of the war and its resulting bloodshed are still alive, that slavery may have been abolished technically, but that in real life nothing much has changed.  Law and order, they find, is personal, as much as it is organizational, as police and government officials, all white men, are also dealing with unregistered militias operating behind the scenes, sometimes at the behest of local governments and sometimes on their own.  Keeping track of allegiances becomes crucial for all of them, as the militias’ loyalties sometimes change without warning.  

Young boy and his mule, dressed as Winona would have dressed on a trip to the city.

Young boy and his mule, dressed as Winona might have dressed in disguise.

Jas Jonski, a young clerk in a dry goods store, enters the novel as a potential suitor for the naive Winona, a prospect abhorrent to John Cole, her adoptive father.  When Jonski broaches the subject of marriage to Winona, however, she “could sort of see it,  I had a picture of it in my mind.”  The mood becomes more ominous when the style in the next sentence suddenly changes.  “What did I know, nothing…” she notes.  “Way back in my mind was a black painting with blood and screaming in it and blood bursting out.”  She has no recollection about some important events in her past, and it is not long before Winona returns to the farm from work one day with a bruised and broken face, unable to stop shaking.  Again, she remembers nothing about who hurt her – and raped her –  and does not know if or how Jas Jonski might have been involved.  She will no longer go to town now, except dressed as a boy, and she uses that same disguise later to seek revenge for her own assault and for another, later assault on Tennessee Bouguereau, the former slave who is part of their “family.” 

From its ominous beginning, the novel builds with ever more violence and ironic twists involving all the characters.  The murder of Jas Jonski creates new tension throughout the racially and socially diverse community which gains no closure when a guilty party is not found and convicted.  When the unsolved murder is finally addressed again later, doubts are cast on Winona’s own innocence, and the twists and turns in all aspects of her life and the lives around her become ever more complex as Barry winds the tension to break point.

Author Sebastian Barry

Author Sebastian Barry

Author Sebastian Barry, a lover of traditional, atmospheric sagas, expands them beyond their generic limits to create stunning characters in action as they develop new knowledge and come to new insights into who they are and what they truly believe.  Barry’s sensitivity to language not only helps to create unforgettable scenes and moods – from quiet and romantic, to dramatic and terror-filled – but also to give the reader new awareness of all the aspects of the time and period, not just the images one might normally expect from having studied the history.  He creates real people involved in real problems, and he draws in the reader to share in their problems and their triumphs.  The climax is unforgettable – a true homage to Barry, his characters, and his thematic messages.

NOTE;  It is not necessary to have read Days Without End to be able to enjoy this sequel, but those who have read it will especially enjoy the continued development of these characters and their lives.

ALSO by Barry:    DAYS WITHOUT END    and    ON CANAAN’S SIDE

Photos.  The photo of the young Native American girl was featured in https://www.thetimes.co.uk   A Getty image.

Young boy and his mule, possibly resembling Winona’s disguise on her later trips to town.  https://picryl.com

The author photo is from https://thegloss.ie/writers-block-with-sebastian-barry/

A THOUSAND MOONS
REVIEW. PHOTOS. Book Club Suggestions, Historical, Psychological study, Social and Political Issues, United States, US Regional
Written by: Sebastian Barry
Published by: Viking
Date Published: 04/21/2020
ISBN: 978-0735223103
Available in: Ebook Hardcover

Gill Hornby–MISS AUSTEN

“We women worry, all of us, about everything – especially marriage.  After all, what was there more important than that? She could have looked back – from a nursery filled by their own, dear children – and seen that moment [of ancient doubt] as a nothing.  As one small, private stumble on the rosy path to conjugal felicity.  But life had not done that.  It had robbed her and, in so doing, snatched away any presumption of innocence.” – Cassandra Austen, 1840.

coverAlthough much-loved author Jane Austen is a dominating force throughout this biographical novel by Gill Hornby, most of the action here revolves around Jane’s older sister Cassandra.

Closer to Jane than any other family member or friend, Cassandra is privy to every aspect of Jane’s life, living with her and sharing most of her life, including Jane’s final illness when Jane is forty-one.  Part of a large family of eight children, born to the Rector of Steventon, Rev. George Austen and his wife, the Austen sisters, who are three years apart, have six brothers, their closest friends being the children of other nearby clergy, including the family of the Vicar of Kintbury, Thomas Fowle.  Miss Austen author Gill Hornby, herself, also lives in Kintbury, and she has clearly absorbed the chronicles of Jane Austen and her family as part of her daily life.

Author Gill Hornby

Author Gill Hornby

Having previously written The Story of Jane Austen,  a biography for young readers, Hornby has obviously “lived with” Jane Austen so intimately, over the years, that readers of this novel may be surprised to learn that the revelatory letters here, purportedly written by Jane Austen or her family, were, in fact, written by author Gill Hornby herself. Through them, she provides insights into the lives of both Cassandra and Jane, and her vibrant details of everyday life bring the society of the era to life.  More importantly, however, the author recreates some of the psychological issues with which these women had to contend whenever fate unexpectedly changed their social positions through death, loss of home, or loss of income. By highlighting these issues within fictional letters, Gill Hornby offers insights into social conflicts faced by women and makes them understandable to modern readers – no matter how much the reader might regret some of the actions these characters take to resolve their problems.

The Steventon parsonage, where Cass and Jane spent their childhoods.

The Steventon parsonage, where Cass and Jane spent their childhoods.

The novel opens with the marriage proposal of Thomas Fowle, a young parson who is the son of the Vicar of Kintbury, to Cassandra Austen in 1795, a proposal that “had been settled as a public fact long before it was decided by the couple in private.”  For Cassandra, “This was her destiny.  Her life was in place,” but she and Tom both know that the engagement will be a long one, as Tom cannot afford a bride right now. The next chapter takes place at Kintbury in 1840, half a century later, as Cassandra joins Tom’s three sisters to clear out the rectory for a new vicar.  “For the family – and most especially for its single women – to leave a vicarage was to be cast out of Eden.  There were only trial and privation ahead.”  As she helps with the clearing out, Cassandra has only one purpose: She intends to find all of her deceased sister Jane’s extant correspondence and discard anything that is extremely personal or reflects badly on Jane or her legacy.  Some letters are found – and hidden under the mattress by Cassandra – till she can get them back home.  Again, time and place shift back to Steventon, the rectory where the Austens lived in 1795, allowing the social complications of the love story between Cass and Tom to develop a bit as Cass is invited to spend Christmas with the Fowle family, her future in-laws.  Tom, however, has just been invited to spend a year accompanying Lord Craven as his private pastor on a trip to the Windward Isles in the West Indies.  He has accepted because the fee is high enough to speed up his marriage to Cass, but he must leave in two weeks.

Jane and Cass Austen's cottage on the property of their brother Edward.

Jane and Cass Austen’s cottage on the property of their brother Edward.

In another shift back to Kintbury in 1840, revelatory documents found by Cass include more letters from Jane, letters about the death of Cass’s fiancé, information about at least one serious suitor for Jane, and a potential new courtship for Cass.  As the time frame continues to move back and forth between the late 1790s and the mid-1800s, the reader sees how fragile, but stubborn, Jane Austen is, especially when their father’s death decimates the finances of Jane, Cass, and their mother.  More personal, enlightening letters continue up through 1807, illustrating Jane’s depression and the family’s worries about where the unmarried Jane and Cass, along with their mother, will reside.  After living with a variety of family and friends for various lengths of time over several years, they eventually get their own residence at Chawton.  “Adopted by wealthy relations in his youth,” and now “living the life of a landed gentleman,” Edward, brother of Jane and Cass, suggests that they move to one of the cottages on his inherited estate, and, in 1809, they do.  From 1810 – 1817, the year of Jane’s death, Jane Austen writes and publishes six novels to growing popular acclaim, though they are published only by “A Lady,” and bring in no income: Sense and Sensibility (1810), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1815), Northanger Abbey (1817), and Persuasion (1817), the latter two published posthumously.*

This drawing of Jane by Cassandra serves as the basis of most of the images of Jane in existence.

This drawing of Jane by Cassandra serves as the basis of most of the images of Jane in existence.

Author Gill Hornby, whose concern with sociological issues is immense, is also a consummate novelist, alternating her time frames to show how issues are resolved or not, developing a consistent set of characters from just three interconnected and often intermarried families, and showing that the Austen women are not unique in the problems they face.  She is also aware of the need for human “villains,” or in this case, villainesses, to provide variety in the narrative’s action. The first such character is Dinah, a maid who lives by her own rules and who does not hesitate to interfere, if she thinks she will not be caught. The second, more fully developed villainess, is Mary Lloyd, a woman of limited attractiveness but enormous ambition, who marries James Austen, the rector of Steventon, the brother of Cass and Jane.  Mary sees herself as the grande dame of the family, the one who rules – and believes that she deserves to rule – in her own favor throughout her marriage.  It is not until Cass finds the last batch of letters that the true horrors of Mary’s interference become known.  By this time, the reader is so involved in the story that it is easy to forget the actual source of all these letters.  Filled with information that reflects the lengthy research the author has done into the lives of Jane and Cass Austen, beautifully constructed, and lively to read, Miss Austen is a significant addition to the world of Jane and Cass Austen and all the mysteries still associated with them.

*Note:  LADY SUSANwritten when Jane Austen was a teenager and not included among her Big Six novels, was not published until 1871, but it  is widely regarded as her wittiest and most playful novel.

Click to enlarge. This plaque in Winchesterr Cathedral, where Jane was buried, celebrates her life as an author. Photo by Ian G Dagnall

Click to enlarge. This elaborate plaque in Winchester Cathedral, where Jane was buried, celebrates her life. Photo by Ian G Dagnall.PHOTOSPhotos.  The author’s photo appears on https://www.edbookfest.co.uk

PHOTOS:  Steventon, the Vicarage of Rev. George Austen, Jane and Cass’s father, is shown in this drawing.  https://www.janeausten.co.uk

A cottage at Chawton House, owned by Cass and Jane’s brother, is where Jane lived with Cass for the last nine years of her life:  https://www.viator.com/tours

Cass is the artist responsible for this drawing of Jane, the one portrait which is the basis of all known portraits of Jane Austen. http://elizabethberkeleycraven.blogspot.com

Jane was buried in the nave of Winchester Cathedral, with this plaque on the wall to celebrate her life.  As she was almost unknown at the time of her death, only a small reference is made to her writing.  Photo by Ian G. Dagnall.  https://www.alamy.com

MISS AUSTEN
REVIEW. PHOTOS. Biography, Book Club Suggestions, England, Historical, Literary, Psychological study, Social and Political Issues
Written by: Gill Hornby
Published by: Flatiron Books
Date Published: 04/07/2020
ISBN: 978-1250252203
Available in: Ebook Hardcover

“On the homeward stretch [of his run] this morning, he made his usual mistake of imagining for a second that a certain fire hydrant, faded to the pinkish color of an aged clay flowerpot, was a child or a very short grown-up.  There was something about the rounded top of it….What was that little redhead doing by the side of the road?”

cover redhead side roadMicah Mortimer, the main character of Anne Tyler’s latest novel, her twenty-third, could not be more ordinary, at least on the surface, yet Anne Tyler makes his story one that will keep even jaded readers intrigued and involved in his unexciting life. 

Already forty-three, he has had his share of girlfriends, and now, “women friends,” since he refuses to refer to women over thirty as “girls.”  None of his relationships have evolved into anything permanent, however, nor has he expected them to.  “He lives alone; he keeps to himself; his routine is etched in stone.”  He does his regular morning run in his Govans neighborhood of Baltimore wearing ordinary sneakers, knee-length denim cutoffs, and tee-shirt – nothing fancy.  When he returns to his apartment, he  showers, cleans up the already tidy apartment, takes out trash, if it is trash day, and checks his phone to see if he has any new clients for his modest computer tech business, “Tech Hermit.” If he has to drive to a client’s house, he obeys every traffic rule, convinced that the Traffic God approves and will credit his good behavior. A phone call from his woman friend of the past three years, Cassia Slade, suggests some new possibilities for Micah, when she tells him that she might be evicted from her apartment and will have no place to live, but her implied suggestion goes over his head.  Instead of making the obvious offer to her, he assures her that she will surely find another place.

Micah lived in the Govans section of Baltimore and tended an apartment building there.

Micah lived in the Govans section of Baltimore and tended an apartment building there.

Author Anne Tyler, well known for her ability to create sympathetic characters, manages to bring even the sometimes frustratingly dull Micah Mortimer to life, despite his lack of ambition, lack of imagination, and complete disinterest in change.  His relationship with Cass, which, understandably, begins to wane as a result of his lack of empathy with her regarding her living arrangements, suggests that he accepts her frustration as just another part of his life.  The only clues the reader gets that this might affect him more deeply in some way is through his dreams.  The night after his phone call with Cass, he dreams he finds a baby in a supermarket aisle, “sitting erect on the floor in front of the breakfast cereals and wearing nothing but a diaper.”  When he wakes, he is still trying to figure out what to do with the baby.  “Take it to Lost and Found, he supposed, but this meant picking it up, and he worried it would start crying,” thereby leading the baby’s parents to leap to incorrect conclusions about Micah himself.  When he is not wearing his glasses, his limited imagination also fills gaps in his reality, leading to the image in the opening quotation of this review, that a fire hydrant is a child, another suggestion that somehow, somewhere, in Micah’s subconscious is a potential parent trying to find a child.

Brink spend much of a day reading about the Baltimore Oriole at the local library.

Brink spent much of a day reading about the Baltimore Orioles at the local library.

The arrival of Brink Bartell Adams, a first semester freshman in college, on his doorstep one morning after Micah finishes his run, comes as a total surprise.  Brink, the son of Lorna Bartell, a girlfriend from his distant past, is a freshman in college.  He has found Micah’s photo in a shoebox in his family’s house, and is totally convinced that Micah must be his father.  “I don’t belong in that family,” Brink says of his mother and stepfather. “I’m a, like, misfit.  There’s so…I’m more like you.”  Brink does not know who his father is, and Micah is certain that he cannot be the father, but Lorna, Brink’s mother, is not giving out any information.  Brink, for his part, provides no information on why he is out of college after just a week or so of being in residence there.  Meanwhile, Micah, having had dreams of parenthood, without any real longings for it, suddenly feels sorry for Brink, but he does not “bite” on the subject of fatherhood, and Brink leaves.  When Brink returns, after spending the next day at the library reading about the Baltimore Orioles, Micah asks if he would like to have supper and spend the night.  He stays to meet Cass and sleep at Micah’s, during which Micah tries to persuade him to call his mother, though he does not insist.

An elementary school playground calls up different images for Micah

Micah remembers an elementary school playground, which he visited near the end of the book, very differently from what we see here.

Micah’s family and his relationships with his several sisters, their husbands, children, and parents add depth to the picture of Micah, as the family meets in celebration of the upcoming marriage of one of his nephews and his future bride, both youngsters in their early twenties with little idea of the future and its responsibilities, but great hopes.  Each family member is trying to connect with Micah on some level, and all are concerned for him.  Meanwhile, the whole question of Brink’s parenthood becomes more complicated as Brink’s relationships with his stepfather and mother, in particular, are further exposed.  A call for computer tech help the next day leads to Micah’s introduction to a new person, someone new to town, and as they joke around and imply a different kind of life, Micah is also trying to deal with the problems with Cass and any future they might have.  As she has said, “I’m just saying that the you that you are might not be the right you for me.”

Author Anne Tyler

Author Anne Tyler

The author inserts herself into the final chapter, saying of Micah that “You have to wonder what goes through the mind of such a man.  Such a narrow and limited man; so closed off.  He has nothing to look forward to, nothing to to daydream about.”  The next morning, when Micah gets up and does his morning run, as usual, however, he dreams once again, giving the lie to what the author has just said about his having nothing to daydream about, and, upon returning home, he chooses to ignore parts of his usual schedule. Out driving (and obeying the Traffic God) later that morning, he sees an elementary school playground, and the out-of-date details he mentions show how little he actually notices about the real world around him.  His past experiences affect his view of the present, and he has a long way to go if he is to see life as it really is. Anne Tyler has created the story of a boring, unimaginative stick-in-the-mud and turned it into a charming and enlightening story of a man who just may have a chance at real life after all.  If it is not too late.

Photos.  The Govans sign is from the Govan’s Facebook page:  https://www.facebook.com

One of the books about the Orioles which Brink read for fun might have been this one of Orioles history.  https://www.amazon.com/

Late in the novel, Micah stops to visit an elementary schoolyard, for which he retains very different memories.  https://whyy.org

The author’s photo appears in the Boston Globe:  https://www.bostonglobe.com/

REDHEAD BY THE SIDE OF THE ROAD
REVIEW. PHOTOS. Book Club Suggestions, Psychological study, United States, US Regional
Written by: Anne Tyler
Published by: Knopf
Date Published: 04/07/2020
ISBN: 978-0525658412
Available in: Ebook Paperback Hardcover

“We can never move forward unless we see ourselves for what we are, until we accept that we still live with the vestiges of our most primitive reptilian ancestors.  There’s a crocodile lurking within all of us, just below the placid surface of our civility, ready to lunge at the first hint of threat.” – Maya Duran, in opening chapter.

cover serenade nadia

This deeply affecting and love-affirming novel by Turkish author Zülfü Livaneli, filled with the trauma and guilt of World War II, is a powerful story based on a true, nearly unknown tragedy, the sinking of the Struma, an old cattle ship carrying almost eight hundred Jewish refugees in December, 1941.  

Leaving Romania and headed for Palestine, the Struma was the last “refugee ship” to leave Europe during the war – and it was overcrowded, underpowered, and unsafe.  Barely arriving in Istanbul after a three-day delay and several engine failures, it waited with all passengers onboard for seventy days, everyone desperate to obtain the necessary visas for Palestine.  The British, governing Palestine under a mandate from the League of Nations, were unwavering in their refusal to grant the visas, however, forcing the refugees to remain on the breaking-down ship with almost no food, water, or sanitation.  The Turks, too, feared that the almost eight-hundred passengers would become the responsibility of Turkey if they were released. Returning them to Romania was out of the question. Finally, with the Turks and the British at an impasse, the disabled ship and its passengers were towed out of the harbor into the Black Sea and abandoned. The following day, a torpedo, fired by a Russian submarine, obliterated the ship, killing the entire crew and all passengers but one. This sole survivor, a nineteen-year-old man named David Stoliar, eventually received his visa to Palestine, but said almost nothing about the disaster during most of his life, until, after almost sixty years, he was asked in 2001 to participate in a documentary produced by the Associated Press.

zulfu livanelliTen years later, Stoliar’s story also inspired Zülfü Livaneli, one of Turkey’s most popular authors, to write this book, bringing the little known tragedy of the Struma into the lives of his readers and, now, into the lives of English-speakers.  Instead of concentrating on David Stoliar, however, author Livaneli, also a social critic and human rights activist, takes a bigger view, providing two overlapping fictional narratives, one from 1938 – 1942, and the other from 2001.  These provide the background to the very real disaster of the Struma, one that English-speakers, and probably many young Turks, have never heard before.  His characters, though fictional, behave with all the emotion and feeling that any sensitive human would have in response to such a disaster and allow the author to raise questions about these events and note some of the long-term personal effects of the disaster on some families.

Pera Palas, built in 1892, was a favorite memory of Max from his visit to Istanbul 58 years ago.

The Pera Palas Hotel, built in 1892, was a favorite memory of Max from his visit to Istanbul 58 years ago.

Zivaneli’s main contemporary character, thirty-six-year-old Maya Duran, a single mother of a teenager, is intriguing from the opening chapter, in which she indicates that she has three other first names, and that she is Muslim, Jewish, and Catholic.  “In other words, I [am] a human being.”  She is on a flight from Istanbul to Boston, where she intends to meet with Maximilian Wagner, an 87-year-old German professor at Harvard whom she had met and greatly admired three months previously in Istanbul.  It is Maximilian’s past which becomes, through lively flashbacks, the crux of this novel, as his recent trip to Istanbul was his first trip back since 1939 – 1942.  His brief return to Istanbul was very much a reliving of the past. Staying at the Pera Palas Hotel, where he stayed in the early 1940s, he notes the changes which have taken place in the neighborhoods and around the city, though the hotel has not changed. 

Istanbul University, where Maya works. (Alamy)

Istanbul University, where Maya works. (Alamy)

Maya, who works for the rector of Istanbul University and served as guide for Max on his previous trip, immediately notes that from the time she picked up Max at the airport on this trip, they have been followed by three men.  The next day, she and the professor take a car to Sile, on the Turkish coast, where he asks to spend some time alone on the top of a ridge overlooking the water.  There he tosses a wreath into the sea below, takes out his violin, and plays “an exquisite, lyrical melody” that reminds Maya of Schubert’s Serenade.  Each time he reaches a certain point, however, he stops, then starts again, a problem which becomes increasingly alarming to Maya, as the professor suddenly looks “deathlike.”  She sees that he is turning cold and very white, and the car which brought them to the coast will not start.  When Max unexpectedly races toward the water, she stops him with difficulty, becoming so alarmed for his health that she decides they must stay in a nearby motel until they can leave safely.  They have been followed, once again, even to this remote place.

Fr. Angelo Giuseppe Roncalli, later Pope John XXIII, worked to help Jews obtain baptismal certificates to avoid the Nazis.

Fr. Angelo Giuseppe Roncalli, later Pope John XXIII, worked to help Jews obtain baptismal certificates to avoid the Nazis.

When Maya consults her brother, a colonel in the army, about the potential danger, he suggests that “the professor might stir up the past and bring a crime to light,” and he is particularly concerned because the men following her and Max “know about our grandmother…[who] has tainted blood.”  Further developments show that Maya’s grandmother was a “Crimean Turk,” wanted by the Soviets and threatened with death because she helped Germany against the Russians.  As the action evolves, Maya gradually begins to see political parallels between Turkey in the present and some of the early stages of Nazi Germany, and when Max finally begins to tell his own story, he reveals a passionate, but complicated, love story with Nadia, beginning in 1934.  Ultimately, it falls to Maya to write his story, a separate section entitled “Maximillian and Nadia’s Story,” written with Max’s endorsement.  Within this story, she includes many of the familiar aspects of pre-war German/European history, while also developing the story of  Max and Nadia and their Aryan/Jewish marriage. Fr. Angelo Giuseppe Roncalli, later Pope John XXIII, participates in the story briefly, saving many lives by providing secret baptismal certificates to Jews.  Other subplots add to the fast action and excitement.

Memorial to the Struma Victims, created in Ashtod, Israel.

Memorial to the Struma Victims, created in Ashtod, Israel.

Throughout in this complex and enlightening narrative, Zulfo Livaneli emphasizes “story,” keeping the reader involved throughout, even as new aspects of Turkey’s involvement in the war are revealed.  Anti-British sentiment regarding the situation for refugees in Palestine is matched by anti-Russian sentiment regarding the horrific bombing of the Struma, but the novel never dissolves into propaganda or feels as if the author’s purpose is to “even the score.”  This is, ultimately, a love story, one that comes with a vivid historical setting, believable characters, constant action, and a narrative which moves around in time through the worst, previously unimaginable, horrors of war, a narrative in which love still, somehow, survives.

David Stoliar, the only survivor of the Srtuma disaster.

David Stoliar, the only survivor of the Struma disaster. See link in photo credits to hear his 2001 interview (in English).

Photos.  The author’s photo appears on https://www.discogs.com

The Pera Palas Hotel is featured on https://www.pinterest.com

Istanbul University, an Alamy photo, was found on https://www.alamy.com

Fr. Angelo Giuseppe Roncalli, later Pope John XXIII, worked to help Jews obtain baptismal certificates to avoid the Nazis.  https://www.catholicireland.net

A Memorial to the victims of the Struma disaster has been created in Ashdod, Israel.  https://commons.wikimedia.org

David Stoliar, the lone survivor of the Struma disaster is photographed here:  https://encyclopedia.ushmm.org

For anyone interested in hearing an interview with David Stoliar, the only survivor of the Struma in 1941, a copy is located here: https://encyclopedia.ushmm.org  Scroll past the map to the second entry.

SERENADE FOR NADIA
REVIEW. PHOTOS. Book Club Suggestions, Historical, Palestine, Psychological study, Social and Political Issues, Turkey
Written by: Zulfu Livanelli
Published by: Other Press
Date Published: 03/03/2020
ISBN: 978-1635420166
Available in: Ebook Paperback

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