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coverThe “clan of the round collar” challenges “wrendance” traditions of rural Irish village.

With the liveliness of a stepdance and the simplicity of a Dingle Peninsula landscape, John B. Keane introduces us to the harsh life of the close-knit community of Dirrabeg, a community facing extinction in the mid-1950’s. Many of the young have left for England or America, where there are opportunities and chances for secure lives. Those remaining behind love their land and their independence but fear for the future as the bogs get thin, the yields are poor, and the children have little hope of success. For Donal Hallapy, devoted father of a large family, times are very tough.

John B. Keane at his pub in Listowel, Kerry.

John B. Keane at his pub in Listowel, Kerry.

Hallapy is a bodhran player, however, an expert in the ancient drums of his Celtic forebears, a musician in great demand whenever the once-a-year wrendances take place, all-night singing and dancing hooleys which can be traced back to pagan times. This paganism, the secret nature of the celebrations, the drinking that takes place, and the fact that the church has no control over them has made them anathema to “the clan of the round collar,” in the person of Canon Tett, an ultraconservative and downright sadistic priest determined to bring the free spirits of Dirrabeg to bay by ending the fun of the wrendances.

Irish Bodhran

Irish Bodhran

The prose is straightforward and earthy, the dialogue salty and realistic, and the interactions of the characters so natural that one can share the joys and sorrows, the humor and anger, and the frustrations and all-too-brief personal satisfactions. The natural world, which is exquisitely described, even in its harshness, takes on almost human dimensions, influencing the action directly, while providing a vivid canvas upon which the contest between church and village is played out. The humor is broad, almost slapstick, but tempered by an overarching feeling of melancholy and impending doom. Though some may find the clergy to be caricatures and the message a bit too didactic, Keane provides us a rare glimpse of the last days of a now-vanished world.  (Reprint of my Amazon review from 2009.)

Photos.  In the author photo, Keane is seen at his bar in Listowel, Kerry.  https://www.facebook.com/JohnBKeane/

The Irish bodhran is seen in a video here:  https://www.youtube.com/watch?v=z2XzyQwXnj8

 

 

 

 

“He’d taken great care with the suite. Statues, prints, and scroll paintings from his collection, precious works, he’d placed them in her room for study, for contemplation…. Without [them] she’d have gone mad. Whenever he left her, she selected a piece and centered her attention on it…fighting down the panic, the hopelessness, the fear. Concentrating some days on color, some on shape…she worked as she had when she was a graduate student, and Terence her lover and wealthy patron.” – from “The Great Wave.”

cover alive shape colorLast year author Lawrence Block published a collection of short stories by seventeen different writers, primarily those known for mystery and horror. Each of these authors had written a story inspired by a painting of American artist Edward Hopper. The result, In Sunlight or in Shadow, was on my Favorites list for 2017, a book I described as the “Most Fun” of all the books I reviewed during that year. In Alive in Shape and Color, just released, sixteen authors, many of whom also contributed to the earlier anthology, are given much more latitude regarding the choice of artwork. Here each author has written a story about whatever piece of artwork most appeals to his/her imagination – free choice. The resulting collection, therefore, varies widely – from a Lascaux cave painting to something by Norman Rockwell, from Hieronymous Bosch to Georgia O’Keeffe, and from Hokusai’s “The Wave” to Michelangelo’s statue of David.   Featuring work by Lee Child, David Morrell, Jeffery Deaver, Jonathan Santlofer, and Michael Connelly, among others, the collection also includes non-mystery writer Joyce Carol Oates, and art historian Gail Levin.

author photo block

Lawrence Block, mystery writer and editor of this collection.

S. J. Rozan’s “Under the Wave off Kanagawa,” also known more commonly as “The Wave,” uses Hokusai’s most famous wave painting to illustrate the story of a woman being held prisoner by her former lover, a story with direct parallels between the woman, who swims for relaxation in her captivity, and the boatmen in Hokusai’s famous woodblock print as they face the big wave. Warren Moore’s story “Ampurdan,” is another story in which the use of an iconic painting, Salvador Dali’s “The Pharmacist of Ampurdan Seeking Absolutely Nothing,” sets the tone and controls the action.  In this story, Alan Bowling, a hiker, sees life as “merely a string of days becoming ellipsis, until one day each inhabitant reached an end of words.”

Gauguin's "Girl with a Fan," 1902

Gauguin’s “Girl with a Fan,” 1902

One of the more complex stories, “Girl with the Fan,”by Nicholas Christopher, uses the Gauguin painting of the same title both as its direct inspiration and as a motif throughout the action. Dividing the story into sections which use alternating points of view, the author depicts an art specialist who is kidnapped by members of the Gestapo in France who need help identifying which famous paintings from the late nineteenth century are real and which are their forgeries. Here Gauguin’s visit to the Marquesas, which produced his painting of “The Girl with the Fan,” merges with the story of Marie Venicasse, who had been the landlady for both Van Gogh and Gauguin, and her young daughter.

Van Gogh's "Cypresses," 1889.

Van Gogh’s “Cypresses,” 1889.

Other stories have little direct connection to the artwork. The story which will probably draw the most attention has only a symbolic relationship with its painting. “Cypresses,” by Vincent Van Gogh, has inspired author David Morrell to write “Orange is for Anguish, Blue for Insanity,” a story about a man named Van Dorn, loosely based on Vincent Van Gogh, in his suffering, his insanity, and his self-mutilation. The story’s speaker is a painter whose friend Myers, an art historian, is writing his dissertation on Van Dorn.  Myers has discovered something new about Van Dorn’s ability to haunt those who become obsessed by their study of Van Dorn. The speaker becomes increasingly concerned for Myers, as he sees him losing his grip on reality in La Verge, a place of importance in the life of Van Gogh and Van Dorn.  Well developed, hypnotic, and filled with a sense that art exerts special effects on viewers who connect with it, this story also carries elements of both terror and horror.

Magritte's "Empire of LIght," painted between 1949 and 1955

Magritte’s “Empire of LIght,” painted between 1949 and 1954

However good some of the individual stories may be,  many readers of this collection may find the lack of a strong organizing principle, such as paintings by the same artist or of the same genre or period or style, to be a disadvantage overall. In fact, even within the several artistic genres here – famous paintings, woodblocks, illustrations, and sculpture – the artwork is often used to completely different purposes and effect (or no effect) by the authors. In the Lascaux cave painting of a bull, for example, the specific artwork is not a factor at all and is almost irrelevant to the story, “A Significant Find,” by Jeffery Deaver. It is the cave itself which serves as the setting for a story of love and loss. Likewise, the painting of “The Empire of Light” by Rene Magritte is much less important to the story “Gaslight” by Jonathan Santlofer than one would expect. The painting shows a tall street lamp illuminating the shuttered windows of a house in which a sick woman resides, but the action owes more to Hitchcock’s film “Gaslight” than to Magritte’s painting.

Georgia O'Keeffe's "Red Cannas, 1924

Georgia O’Keeffe’s “Red Cannas, 1924

The same lack of direct connection between painting and story also holds true in the Georgia O’Keeffe painting of “Red Cannas,” in which neither the author Gail Levin nor her main character have any stated interest in the painting at all. In Levin’s story the main character has, with difficulty, gained an interview with O’Keeffe from whom she hopes to obtain permission to reproduce one of O’Keeffe’s paintings as the cover of her book. As the story evolves, O’Keeffe reveals her argumentative personality, and the painting which is shown at the beginning of the story plays no direct role.

Many of the stories are fun to read, regardless of whether the connection between the short story and its painting is obvious, and readers who are not familiar with Block’s previous collection, In Sunlight or in Shadow, may still find much to enjoy in this one. Those of us who had hoped this book might be more like that delightful offering, however, may suffer pangs of disappointment with this one. In Sunlight or in Shadow was on my list of Favorites for 2017, a book I described as the “Most Fun to Read” of all the books I reviewed in 2017.    Unfortunately, Alive in Shape and Color lacks  the driving energy, the sense of connection between story and artwork, and sense of purpose which made its predecessor so enjoyable for me.

Photos, in order:   The author’s photo may be found on    http://www.mulhollandbooks.com/2011/04/29/1031/

The Gauguin painting of “Girl with a Fan,” 1902 is from  https://www.wikiart.org/en/paul-gauguin/girl-with-a-fan-1902

Van Gogh’s “Cypresses” is found on https://www.metmuseum.org/toah/works-of-art/49.30/

Magritte’s “Empire of Light,” painted between 1949 and 1954, appears on https://www.pinterest.com/pin/673921531709461099/

Georgia O’Keeffe’s “Cannas,” part of a series, is from https://www.pinterest.com/pin/250301691760657641/

ALIVE IN SHAPE AND COLOR
REVIEW. PHOTOS. Anthology of mystery stories based on artworks.
Written by: Lawrence Block, editor
Published by: Pegasus
Date Published: 12/05/2017
ISBN: 978-1681775616
Available in: Ebook Hardcover

cover In Sunlight and shadowFor those who have not yet finished their holiday shopping and/or have not yet discovered the Favorites tab at the top right of my website, here are some of my Favorites for 2017.  

Not all on this list will appeal to your great-aunt, your teenage grandchild, or your boss, so please take a look at the review, especially the last paragraph, for a few cautionary signs before you purchase a book you do not know.  (Mike McCormack’s celebrated SOLAR BONES, for example, is a book I loved, once I got used to the style, but other readers might be less enchanted.)  The books at the beginning of the list, identified by a brief description, might be more fun for someone you do not know well.cover15

Most fun to read:  Lawrence Block, Editor: IN SUNLIGHT AND IN SHADOW: Stories Inspired by the Paintings of Edward Hopper

Most delightful new edition of a classic mystery novel:  Junichiro Tanizaki–DEVILS IN DAYLIGHT

Favorite short story collection:  Penelope Lively–THE PURPLE SWAMP HEN

Mocover-lost-cityst surprising:  Hiromi Kawakami–THE NAKANO THRIFT SHOP

Most exciting debut novels:  Karl Geary–MONTPELIER PARADE   and Ian Bassingthwaighte–LIVE FROM CAIRO

Non-FictionDouglas Preston–THE LOST CITY OF THE MONKEY GODS

Most interesting experimental novels:  Mike McCormack–SOLAR BONES  and N. J. Campbell–FOUND AUDIO

 

cover-swamp-henFavorite Literary Fiction:

(tie) Karl Geary–MONTPELIER PARADE

(tie) Mike McCormack–SOLAR BONES

Julie Lekstrom Himes–MIKHAIL AND MARGARITA

Sebastian Barry–DAYS WITHOUT END

Amos Oz–JUDAS

Salman Rushdie–THE GOLDEN HOUSE

Josephicover-henrik-groenne Rowe–A LOVING, FAITHFUL ANIMAL

Hendrik Groen–THE SECRET DIARY OF HENDRIK GROEN, 83 1/4 YEARS OLD

Camille Laurens–WHO YOU THINK I AM

Ya’a Gyasi–THE HOMEGOING

Fay Weldon–BEFORE THE WAR

Alice McDermott–THE NINTH HOUR

NOTE:  At the end of each year, I enjoy checking to see which reviews are getting the most attention (highest number of hits) on this website, and each year I am always surprised by the number of older books (and reviews) which remain in the Top Ten. For this new list I wanted to see which books published and reviewed in the past FIVE years would be in the Top Ten if I removed the recurrent “old favorites.”

Gone from this new, more restricted list are books that have almost become classics (at least on my website’s pages): Jo Nesbo’s The Redeemer (from Norway, 2011), Helon Habila’s Waiting for an Angel (from Nigeria, 2004), Kamila Shamsie’s Kartography (from Pakistan, 2004), Alan Paton’s Hero of Currie Road (March, 2009), Alan Duff’s Once Were Warriors (from New Zealand, originally 1995), Louise Erdrich’s The Painted Drum(Native American, 2006), and Naguib Mahfouz’s The Day the Leader was Killed (Egypt, 2000).

cover-ru-197x300Here is the new list of favorites from the past five years, including five recent ones on the list from 2017.

  1.  Ru by Kim Thuy.  The author is a Vietnamese-born Canadian who appeared on the overall Favorites list last year for the first time, though the review of her book has been on this website since November, 2012. Her novel tells the story of a family of Vietnamese “boat people,” much like herself, who travel from Saigon to a refugee camp and eventually Canada, a book of great poignancy and love, featuring lively characters and real adventures.

2.  Film Stars Don’t Die in Liverpool by Peter Turner, posted April 24, 2017. Peter Turner, who befriended Hollywood Oscar winner Gloria Grahame in 1979, was then a twenty-seven-year-old budding actor in England, and Grahame was fifty-five, a four times married American actress. Their twenty-eight-year age difference became irrelevant as they came to know each other and as Turner found he was able to keep Grahame on an even keel and to inspire her to perform her acting duties, despite her psychological problems. (A recent film has made interest in this book more pertinent.)

51CCPq9tcEL._SX336_BO1,204,203,200_3.  The Thirst  by Jo Nesbo, reviewed May 22, 2017, represents Norwegian author Nesbo’s tension-filled thriller style, much longer than Midnight Sun, and filled with violence, murder, and in this case, vampirism. Here Det. Harry Hole returns after a three-year hiatus, with his wife Rakel, who is now ill. He must find the murderer of a female lawyer who specializes in rape cases. Over forty characters, many of them familiar to the Nesbo fan, become involved in the search to find the vampirist killer. Suspenseful and addictive, despite the grotesque violence.

4.  The Tsar of Love and Techno by Anthony Marra, reviewed here Nov. 3, 2015. This work hovers between a novel and a collection of interrelated short stories set in Siberia, Chechnya, and Leningrad/St. Petersburg between 1937 and 2013.  Set during the period that begins after the death of Lenin, the earliest stories show the strict Communist Party rule, its control of all aspects of life and thinking, and the country’s economic hardships under Josef Stalin. Later stories make references to Nikita Krushchev, Leonid Brezhnev, and Mikhail Gorbachev, and the fall of Communism in the early 1990s.

cover-artificial-silk-girl5.  I for Isobel by Amy Witting, from Australia, originally written in 1979, republished in 2015, and reviewed Dec. 28, 2015. The novel focuses on a tough main character, a child who fills the novel with a kind of mental violence against both herself and those who “cross” her, as she endures a coming-of-age essentially alone.

6.  The Artificial Silk Girl by Irmgard Keun, June 28, 2015. Published in Germany in 1932, when author Irmgard Keun was only twenty-two, The Artificial Silk Girl, a bestselling novel of its day, is said to be for pre-Nazi Germany what Anita Loos’s Gentlemen Prefer Blondes (1925) is for Jazz Age America. Doris, the “artificial silk girl,” has no politics, focusing almost completely on her own ambitions – finding wealthy men who will improve her life by financing a better lifestyle for her. The book’s timeless themes regarding women and how they see themselves, combine with history in a unique way, giving life to a less publicized period of history and new insights into some of the women who lived through it.

cover-the-door7.  The Door by Magda Szabo, recently republished and reviewed here on Jan. 19, 2016, won Hungary’s top award for literature in 1978. Here Szabo lays bare her own values and her soul, creating a rich and intensely intimate examination of the fraught relationship between a character named Magdushka, a writer whose point of view controls this novel, and Emerence, her fiercely independent housekeeper-servant. Very moving.

8.  Midnight Sun by Jo Nesbo, reviewed here Feb. 28, 2016, is the second of Nesbo’s “new style” of novels, set above the Arctic Circle in Norway. Much shorter, less violent, and much more literary than those in his Harry Hole series, it focuses on main character Ulf”s well-developed personality and the themes of what it means to be “good,” how one defines “right,” and whether life has any “real” meaning. Beautifully paced, far more introspective, and more thoughtful than what one finds in Nesbo’s first twelve thrillers, the novel maintains high interest and plenty of excitement. A welcome change from his early work – and welcome for him, too, it seems.

9.  Days Wcover-mikhail-and-margaritaithout End by Irish author Sebastian Barry, reviewed on Feb. 17, 2017, is one of my favorite novels of the year, however dark it may be. Barry’s main character, a young boy, hides on a ship in port in Ireland to escape the Great Famine and ends up in New York, where he joins the US army and participates in both the Indian Wars and, immediately after, the American Civil War. Fellow author Kazuo Ishiguro describes this as “the most fascinating line-by-line first-person narration I’ve come across in years.”

10. (tie)  Mikhail and Margarita by Julie Lekstrom Himes, reviewed here on May 1, 2017, is an enthralling book which pays honor to author Mikhail Bulgakov and his most famous novel, The Master and Margarita, written in the late 1920s, a dangerous time for writers who challenged the censors, as Bulgakov did. In this novel, author Bulgakov is himself a main character, one with whom the author obviously empathizes. Exciting, but serious, well developed, and consummately literary, the novel has an unforgettable grand finale.

cover1510. (tie) Devils in Daylight by Junichiro Tanizaki, reviewed here on May 4, 2017. Serialized in Tokyo and Osaka in 1918, this short novel found a ready audience in a country already well familiar with Edgar Allan Poe’s “The Gold Bug,” and author Tanizaki added some twists of his own, making his novel even more attractive to his audience – it is far more psychological, twisted, and more sexual than Poe. Romantic, even gothic in its approach, it is a tale which moves so quickly that Coleridge’s “willing suspension of disbelief” is intensified – the reader wants to get on with the excitement and does not want to be bothered much about the obviously bizarre (and unrealistic) circumstances which make the excitement possible.

I hope that you, too, will be happy to see that five books reviewed less than six months ago are already mounting a challenge to books that have been on this list for several years.  Kim Thuy’s Ru has been on the Favorites list for only two years, though the review was posted here originally in November 2012!  The #2 book on the list, Film Stars Don’t Die in Liverpool   was not reviewed here till April of this year!   I’m rooting for some of these new, young authors to find their audience and become as successful as many of the recognized favorites, and I’ll bet many other readers are, too.   Mary

Note: Author Josephine Rowe is the 2016 WINNER of Australia’s Elizabeth Jolley Prize.

“There comes a point where you have to say, Here it is. Here is what life looks like. Where you stop turning your head away, cupping your ears…because you finally understand it won’t do any good. For years now, [I’ve] been waking to the same knowledge. This is not my life. Gray eucalypts shaking out there in the stonewashed sky and Jack’s loose copper change scattered across the bedside table. No, none of this is right. None of this fits.” –Evelyn, Ru’s mother

coverI am always excited to see who has won the Elizabeth Jolley Prize, especially so this year.  Jolley, a transplant to Australia from England, began her writing career when she was in her sixties and produced several stunning novels filled with dark ironies, dramatic twists, and characters whose intimate thoughts and feelings drive the action.  She is one of my all-time favorite authors.

The latest winner of the Jolley Prize, Australian author Josephine Rowe, employs the same dark ironies, dramatic twists, and intimately developed characters while she is still in her early thirties.  Creating a character novel driven by a father’s inability to deal with the horrors of the Vietnam War and the effects his traumas have on his abused family, Rowe presents the action in six chapters featuring five different members of the same family. Introducing the action is Ru, the twelve-year-old daughter of Jack Burroughs. Her mother Evelyn, her older sister Lani, Jack himself, and Jack’s brother Les also reveal their stories in their own chapters, with Ru, by then much older, the speaker in the conclusion.

PHoto by Patrick Pittman.

Photo by Patrick Pittman.

The novel opens ominously in the summer of 1990, with the arrival of a dead sperm whale in the bay at Mount Martha. The Gulf War is raging. Ru’s father Jack, who has survived the Vietnam War, has not survived his ghosts. “His head is a ghost trap,” Ru declares. “It’s all he can do to open his mouth without letting them all howl out.” Now her father, on one of his many disappearances, is being hunted by her mother, and Ru finds it “impossible to imagine her [mother] ever being young, impossible to imagine swimming trophies and a modeling portfolio” left behind in the elegant house where her mother grew up. “All she had to show now were an arctic fox coat and a photograph of her in the driver’s seat of the famous green Corvette a few years before she sold it to pay off a loan.”  If only she had decided to “swing her slender legs up into that beautiful car and driven as fast as she could in the opposite direction,” away from Jack, her life would have been totally different. Instead, she ran away with him. Now, even after years of trying to help him cope, she still hopes to lead him away from the “mud, away from the cracks of invisible rifles, the strange lights through the trees.”

Mount Martha Bay, where a sperm whale washes ashore and dies in the opening pages.

Mount Martha Bay, where a sperm whale washes ashore and dies in the opening pages.

Everyone in the family is tormented. Ru, at age twelve, is being bullied at school, and she finds escape in making cigarettes from the pack of tobacco her father left behind. Her sister Lani is escaping through sexual experimentation, in selling her father’s left-behind medications. and in bossing Ru, to whom “she can be mean as cat spit [with] a sixth sense for knowing what will hurt most.” Their uncle Les, sometimes known as Tetch, has begun hanging out in the family garage, fixing what needs to be fixed without being asked, though neither he nor anyone else can fix the family’s inner demons. Les did not serve in Vietnam because of an injury. Evelyn sometimes escapes into memories of her earlier life, with the family’s race horses, especially Blue Boy, a blue roan, and her aimless afternoons at the family elegant home. Despite her memories of her quiet life there, however, she has never been able to leave Jack, always believing in “the good that was there. She could “wait it out…the war in him…He’d come up eventually; she’d always believed so. Come up gasping, and she’d be there.”

A Blue Roan horse, like the one Evelyn remembers from her childhood.

A Blue Roan horse, like the one Evelyn remembers from her childhood.

In prose that often feels like poetry, Rowe creates lives for these characters, and the reader comes to know and empathize with them. They are what matter here, as there is little overriding plot, which the reader puts together from the many flashbacks and flash-forwards. Ru, the main character, is a special case, since Rowe has chosen to use the second person for both Ru’s opening chapter and her closing chapter. With the action addressed to “you,” as Ru lives her life, the reader also becomes absorbed into Ru’s life, identifying with her in a way which is more intimate than it is with the other characters, however well-developed they may be – and they are exceptionally so. Perfect, abbreviated descriptions create lively, memorable imagery. Ru’s grandparents were simply “feathery handwriting on birthday and Christmas cards, padded envelopes containing presents of glittery stationery and books you’d read years ago.”  When sister Lani would climb through the window of Ru’s bedroom to avoid her mother, “her mouth [would be] all blurry and her eye makeup gone panda.” For Les, “certain moments would lose substance in their revisiting, memories he’d meant to preserve instead rubbed back to the oily sheen of overhandled suede.”

Poet Phillip Bay, where Evelyn and Jack meet for three weeks during the summer, when Jack worked in the projection booth of a theatre. The bay was cloudy with pollution and they could not go swimming.

Port Phillip Bay, where Evelyn and Jack meet for three weeks during the summer, when Jack worked in the projection booth of a theatre. The bay was cloudy with pollution and they could not go swimming.

Throughout, Rowe uses a series of animals to convey her characters’ connections to the wider world, avoiding the kind of sentimentality that a novel so emotional might suggest. The whale at the beginning is already sick, and it is soon dead. Jack’s Belle, whom he rescued and loved, is horribly killed by the panther he brought back from Sumatra after the Vietnam war. The blue roan horse from Evelyn’s teen years, is described by a trainer as stupid: “A horse will run itself to death, eat itself to death, drink itself to death if you let it. It’s the only animal that needs to be [taught] restraint.” Ru’s mother calls her, sometimes, by her nickname, Possum, and Lani, years later, tells Ru that she now has a dog – “A friend traded up for a baby, and it was bye-bye-Bruno, poor old fella.” A human’s connection to the animal world remains unbroken, though life is not golden and offers no kind of grace. No matter how fast we move – in Corvettes, in airplanes, on motorcycles, or on foot – we cannot escape our pasts or our memories.

Les opens a trunkful of old letters - and memories - and remembers the goannas, "those pricks...We watched one go after a chicken, and it was carnage."

Les opens a trunkful of old letters – and memories – and remembers the goannas, “Practically pre-historic…dragons.  We watched one go after a chicken, and it was carnage.”  These can grow to eight feet long.

Beautifully constructed, filled with original description and characters connected by vibrant themes, this debut novel establishes Josephine Rowe as a writer to watch for, one whose talents and accomplishments to date belie her thirty-three years. Elizabeth Jolley would surely be encouraging her success – two authors with similar views of the world.

Photos, in order.  The author’s photo, by Patrick Pittman, is from http://www.uqp.uq.edu.au

Mount Martha Bay, where a sperm whale washes ashore in the opening pages and dies, setting the scene for the rest of the action.  https://www.goto.com/

A Blue Roan horse, like the one Evelyn remembers from her childhood:  http://www.blueroanquarterhorses.com/

Port Phillip Bay, where Evelyn meets Jack, a projectionist at the local theatre, for the first time.  Because of pollution at that time, they were unable to use the beach.   Over 3.2 million people live around its shore, making Port Phillip Bay Australia’s most densely populated catchment.  http://www.ppwcma.vic.gov.au/about/our-region/bays-coasts/port-phillip-bay/

Two reptile experts hold a goanna, which can grow to over eight feet long.  (This one is anesthetized after surgery.) Les remembers them as being like dinosaurs, practically prehistoric.  http://www.theaustralian.com.au

A LOVING, FAITHFUL ANIMAL
REVIEW. PHOTOS. Australia, Book Club Suggestions, Historical, Literary, Psychological study
Written by: Josephine Rowe
Published by: Catapult
Date Published: 09/12/2017
ISBN: 978-1936787579
Available in: Ebook Paperback

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