Feed on
Posts
Comments

NOTE: Every six months or so, I like to check to see what are the most popular reviews on this site, and I’m always surprised by how many of the most-read reviews are for classics, rather than for more recent books. This year is different, however.  Numbers 4, 5, 6, 7, 8, and 10 are new to this list.

redeemer nesbo

  1. Jo Nesbo, The Redeemer, originally posted Feb. 8, 2011, has been #1 on this list for five years, with approximately double the number of hits as any other review. Nesbo is a Norwegian author and musician. The persistence of this review as #1 comes always as a surprise, as it is not my favorite Nesbo novel, and I don’t understand why it is so popular. (My favorite novel in the Harry Hole series is The Redbreast.
  1. Anthony Doerr, All the Light We Cannot See, review originally posted on Dec. 11, 2014. This was also #2 last year. Winner of the Pulitzer Prize for Fiction in 2014, it is set in the final days of World War II in St. Malo, France.
  1. J. M. G. LeClezio, The Prospector, review originally posted on Jan. 19, 2012. This book was #7 last year. It is an adventure thuy rustory and coming-of-age story, a treasure hunt, and an exploration of culture, set in Mauritius. LeClezio, a French author, was winner of the Nobel Prize for Literature in 2008.
  1. Kim Thuy, author of Ru, is a Vietnamese-born Canadian author, and a NEW author on this list. Originally posted on Nov. 19, 2012, the review of this novel reveals the story of a family of Vietnamese “boat people,” much like herself, telling of their travels from Saigon to a refugee camp, and eventually Canada, alternating moments of great poignancy and sadness with lovely and loving stories that reveal character and a sense of adventure.

cover-lady-in-van3

  1. Alan Bennett, The Lady in the Van, NEW to the list this year. Review posted on July 21, 2015. The novel reflects the kindness of British author/playwright Bennett toward a homeless woman who lives in a dilapidated van without water or plumbing.  She quickly takes over the author’s driveway “temporarily,” and stays for fifteen years.
  1. Jo Nesbo, Midnight Sun. Review posted originally on Feb. 28, 2016. NEW to the list. The second of a new style for Nesbo, this novel is more compressed (fewer than three hundred pages), and far more introspective than his longer thrillers. With a more limited scope, the reader comes to know the main character more fully than in his longer, more action-driven novels.  I like this new style better than the older, more violent style.

wating for an angel habila

  1. Anthony Marra, The Tsar of Love and Techno. Review posted originally on November 3, 2015. NEW to the list. A collection of interrelated short stories and repeating characters, the book is set in Russia during the period that begins after the death of Lenin and progresses through the regimes of Stalin, Krushchev, Brezhnev, and Gorbachev, up to the fall of Communism in 1990.
  1. Helon Habila, Waiting for an Angel. This book was published in 2003 and reviewed here on July 12, 2011. NEW to the list. Set in Nigeria in the 1990s, when the country was a police state with sadistic violence and human rights abuses. The main character, Lomba, is a journalist who has been in jail for two years without a trial. Gradually, the reader comes to know him and his hopes and dreams. Habila’s novel is a powerful defense of the freedom of the press and a celebration of the lives of those courageous writers who have refused to be silenced.

cover-the-door

  1. Edmund De Waal, The Hare With Amber Eyes. Originally posted on July 30, 2012. #5 on the list last year. Non-fiction story of the author’s family heritage for the past three generations, from the end of the 19th century in Russia to the present, as they go from unimaginable wealth, with which they helped support the greatest of the French impressionists, to the loss of all their paintings and possessions in Austria during World War II. All that has remained is a collection of small Japanese ivory netsukes, saved by the author’s great uncle.  Inspiring story.
  1. Magda Szabo, The Door. Review posted on January 19, 2016. NEW to the list. Originally written in 1995, this book has recently been translated into English and published by New York Review Books. Written by one of Hungary’s most celebrated authors, the novel lays bare Szabo’s values and her soul in this rich and intensely intimate examination of the relationship between a character named Magdushka, a writer whose point of view controls this novel, and Emerence, her housekeeper-servant.

Two of these ten reviews were posted five years ago – in 2011 – Jo Nesbo’s The Redeemer and Helon Habila’s Waiting for an Angel. Nesbo’s book has been on my list of Most Popular Reviews each year since 2011. Habila’s book has taken a longer route and is new to the list this year, despite the time that has elapsed since the book was first published in 2003 and its review here in 2011.

Books that were on this list last year but which have now been replaced by NEW books this year are:

The Lost Books of the Odyssey by Zachary Taylor, #3 on the list last year. A modern retelling of the Odyssey, the review contains a link to a map of Odysseus’s journey, popular, perhaps with students.

piaf passionate life

The Hero of Currie Road by Alan Paton, #4 last year. This book is a complete collection of Paton’s short stories, published by Random House South Africa, and is not readily available in the US. Still, it has been on the “Most Popular” list for several years, until now.

The Artificial Silk Girl by Irmgard Keun, #6 last year. Originally published in Germany in 1932 and then banned, this book was newly discovered in the 1970s and translated into English last year.

Piaf: A Passionate Life by David Bret, #8 last year. Outstanding biography of the Little Sparrow.

Kartography by Kamila Shamsie, set in Pakistan, #9 last year.

The Art of Hearing Heartbeats by Jan Philipp Sendker, #10 last year. Set in Burma/Myanmar.

 

Edmundo Paz Soldan–NORTE

Note: Much lauded author Edmundo Paz Soldan has twice been WINNER of the National Bolivian Book Award, most recently for Turing’s Delirium.

“[Sometimes] he’d break in to burgle, but the robbery was a mere excuse for what really attracted him: the women who ignored him when they saw him loitering in a train station or a supermarket. Gringas who couldn’t stand the act that he was alive. How easy it would be to get rid of them. It was a powerful temptation, but he kept it in check. He didn’t want to get into any trouble.”—description of Jesus from Villa Ahumada in northern Mexico, 1984.

cover norteIn this dramatic and provocative novel, Edmundo Paz Soldan, a Bolivian writer now teaching at Cornell University, displays his enormous gifts for both narrative and character development while also examining serious themes and social and psychological problems. Creating three characters from three different time periods, all of whom are native to Mexico or South America and all of whom are in the US for various reasons and for various periods in time, Paz Soldan explores their lives and creates comparisons and contrasts before making connections among them. Wasting no time in starting the action, he boldly introduces Jesus, a young man from Northern Mexico in 1984, depicting him in Part One as a boy/man who responds instantly – impulsively – to situations as they arise in his life. Jesus has little recognition of the usual unwritten rules of civilized society. Hanging out with petty drug users and prostitutes, Jesus quickly demonstrates for the reader that in matters of sex, he does not hesitate to be violent if a woman tries to thwart him. Within the first ten pages, Jesus commits a murder and heads across the border into the US, having agreed to work for a group of criminals who bring stolen American cars across the border into Mexico, where they are sold.

Edmundo Paz Soldan

Edmundo Paz Soldan

In contrast to Jesus, Michelle, the second main character, is a graduate student in South Texas, working hard to establish herself as a writer/cartoonist. It is 2008, and she is currently working on a comic book about a librarian with special powers who is bent on revenge after zombies kill her boyfriend. Michelle works hard at school and at Taco Hut to earn money for her education, and she has been drawn into an affair with Fabian, her middle-aged professor. She regards the US as her home, though her parents are immigrants.

The third main character is Martin Ramirez, living illegally in Stockton, California, in 1931, trying to pay off some debts and help his family back in Mexico. An almost illiterate man who has great difficulty with all language, he understands almost no English. What Martin really wants is to draw. “Such a fine thing to do, made stuff so easy. Why use words when you can just draw.” Having worked “laying tracks,” picking crops, and digging in the mines, he is now hanging out at the train station hoping for more work. Mexico is having major political and social problems, and his wife is collaborating with the Federales, so “Now there is no way back” for him, and his chances of seeing his daughters are nil.

220px-Ángel_Maturino_Reséndiz

Angel Maturino Resendiz, the real-life Railroad Killer, on whom Jesus is modeled.

Paz Soldan rotates the action through these three characters’ lives, developing themes as he goes, and the reader cannot help but become involved both in the action of their lives and in the psychological crises they face. It gives nothing away to say that Jesus, who is crafty and knows how to create false identities so he can go back and forth across the border at will, becomes a serial killer. Having killed two women in the first fifty pages, he continues this behavior, eventually developing a reputation as the “Railroad Killer,” a character based a real murderer of women who lived near railway lines in the 1990s. Michelle’s affair with the professor develops predictably and not to her advantage. Martin becomes hospitalized, unable to stay in touch with reality, though he now has all the time he has dreamed of to draw and paint. Art of all kinds, in fact, permeates the lives of all these characters. Even Jesus, whose life seems dedicated to impulse and action, becomes fascinated with the chance to tell about his crimes when he is arrested, and at one point he fills a fifty-page notebook with grotesque descriptions of his killings. Michelle, meanwhile, meets with a researcher who is studying schizophrenic art and is planning to show the art of Martin Ramirez, a real person, thereby connecting Michelle and Martin Ramirez from two different time periods.

The real-life Martin Ramirez at work on his art at DeWitt State Hospital, California, 1954.

The real-life Martin Ramirez at work on his art at DeWitt State Hospital, California, 1954.

Throughout the novel, the author shows the inner conflicts of people who are from one country but live in another, exploring their personal predicaments, their sense of displacement or their sense of hope. Jesus’s father left his family for the US when an emergency arose, leaving the family at loose ends, and leaving Jesus without guidance. For Jesus, leaving Mexico was no problem. It was not much of a home, except for his distorted love for his sister. Michelle and her mother live in the US, but while Michelle has become completely acculturated,  her father longs to return to Bolivia, a desire which creates emotional conflicts with his wife and daughter. Martin cannot speak English, and the US has never been a home for him, yet he finds himself hospitalized permanently in the US with serious mental illness. Ironically, it is his hospitalization which makes it possible for him to pursue his dream of drawing and painting, finding some sort of outlet for his frustrations and giving him a sense, not of belonging, but of being able to be different on his own terms. In that sense, perhaps the hospital becomes a sort of home for him.

Untitled collage by Martine Ramirez, from Adolf Wölfli Foundation, Museum of Fine Arts, Bern, Switzerland, A1988.25 Photo courtesy Museum of Fine Arts, Bern, Switzerland

Untitled collage by Martine Ramirez, from Adolf Wölfli Foundation, Museum of Fine Arts, Bern, Switzerland, A1988.25
Photo courtesy Museum of Fine Arts, Bern, Switzerland.  Click and scroll down to enlarge.

Paz Soldan’s style is bold and realistic, and while this is effective for most of the book, some readers may find his depictions of Jesus’s violent acts to be far too graphic. Many other aspects of the book are quite subtle, and the characterizations of Martin and Michelle develop naturally without such sensationalism. Translator Valerie Miles, who adds a long “Translator’s Note” at the end of the novel, provides great insight into the many different “voices” of the characters here and the difficulty of translating these into English when they are so different from each other in Spanish. As she points out, she has translated “a Spanish-language novel written by a Bolivian author about Mexicans and Argentineans lost in the US, over several decades and with myriad characters speaking and writing in native or broken English.” And she has done a masterful job.

ALSO by Edmundo Paz Soldan:  TURING’S DELIRIUM  and  A MATTER OF DESIRE

Photos, in order:  The author’s photos appears on http://www.memoriacultural.com/

The photo of Angel Maturino Resendiz, on whom Jesus is modeled, is found here:  https://en.wikipedia.org/

The real-life Martin Ramirez is shown at work on his art at DeWitt State Hospital, California, 1954:  http://spyhollywood.com

An untitled work in pencil, colored pencil, and collage, from ca. 1952, is from http://folkartmuseum.org/      Adolf Wölfli Foundation, Museum of Fine Arts, Bern, Switzerland, A1988.25  Click and scroll down to enlarge.

NORTE
REVIEW. Literary, Bolivia, Historical, Mexico, Social and Political Issues, United States border
Written by: Edmundo Paz Soldan
Published by: University of Chicago Press
Date Published: 10/26/2016
Edition: Translation
ISBN: 978-0226207209
Available in: Ebook Paperback

Note:  Author Erri De Luca was WINNER of the European Prize for Literature in 2013.

“This is how I see it: the hard work is nothing, just a way to make a living. But what matters is living with your head between your feet, your face down to tend the goings-on below. What matters is keeping your neck craned over the ground, caring more about it than about people…I’ve spent more of my life looking at the ground, water, clouds, walls, and tools than at faces. And I like them.” –unnamed speaker of this novel

cover thee horsesWithin a swirling time frame and several settings which change suddenly through unexpected flashbacks, Italian author Erri De Luca creates a character whose life breathes with subdued passion and the tragedy of sudden terror. Now fifty, the unnamed speaker is working as a gardener/landscaper on a large estate in Italy owned by Mimmo, a filmmaker, someone the speaker knew when they were youths in Turin and with whom he shares a family background in Calabria in the toe of Italy. Leading a solitary life, the speaker is surprised one evening when an attractive younger woman flirts with him while she is eating lunch with another man at a tavern, then, on her way out, drops her card on the table where he is reading. After she’s gone, he plans what he might say if he were to see her again. He has had little social contact with other people in recent years, using his gardening skills and his connection with nature for his satisfaction – “caring more about it than about people.”

author photo

Now, however, “in the time he has remaining,” he thinks he might be ready to get involved with other people again, especially with this woman, Laila. Later, when they meet at her apartment, she confesses that she is an escort, a working girl. He confesses that he is a “fugitive,” who “doesn’t run toward open space but into many barred paths…The world is on my shoulders. Even the stars are dogs at my heels.” He says he has been living in the Southern Hemisphere, participating in a war there, “days filled with trouble, ruined by death that tears away clumps of us folks, stuffs thousands of the living, freshly plucked, into its sack.” He lived in Argentina for twenty years, a place where thousands of Italians found refuge and new lives after World War I, before the “dirty war” there in the 1970s.

explosion room Castelletto mine

Climbers hold on to the ferrata (cable) inside the tunnel working their way to the top of the Tofana di Rozes, as the speaker and Dvora once did.

Time and place shift, as the speaker remembers his life in Argentina with Dvora, whom he first met in the Dolomites when they were climbing the Tofana de Rozes, so steep he climbed it with his cheek pressed against the stone. She, touring Europe as a graduation present from school in Argentina, meets him in the hut on the mountain and the next day ascends with him through the Castelletto mine tunnel to the top, the site of a major battle in World War I. It is only a short time before they return to Argentina together. “Married love between us begins in Argentina,” he explains, before they are caught up in the rebellion against the army in the mid-1970s, when “Argentina tears a whole generation from the world like a madwoman pulling at her hair. It kills its children, wants to be done with them. We’re the last.” Their married life lasts from their meeting on the mountain, site of a battle in Italy, to their separation during the war in Argentina and the speaker’s escape to Patagonia and eventually the Malvinas (Falklands). A long recovery working on a farm, and eventually a new relationship, evolve there.

When the speaker works on a farm in the Malvinas (Falklands), he is only 800 miles from Antarctica, a fact obvious in this photo.

When the speaker works on a sheep farm in the Malvinas (Falklands), he is only 800 miles from Antarctica, a fact obvious in this photo. Click to enlarge.

Another swirl of time and place brings the reader back to Italy in the time of the novel’s opening. There the speaker, still working as a gardener, befriends an African refugee and provides him with food and company, learns about Mimmo’s experiences in Croatia during the war there, and reconnects with Laila, only to discover that she is fighting her own personal war. As he tries to sort out his life and what it means, the novel works its way up to a grand climax and startling finale. Themes related to life and death, war and peace, fear and commitment, and responsibility and self-preservation combine to affect the conclusion. Another time swirl, and the means by which the speaker escapes to Europe and eventually Italy become clear. The difference between having control over your life and just being lucky becomes obvious in the final sections of the novel. “I know I’m a man because I am the most dangerous animal,” he says. “This is not a hunt. It’s an act of destruction.”

The holm oak, sometimes called the holly oak, is a tree that the speaker enjoys planting as part of his job.

The holm oak, sometimes called the holly oak, is a tree that the speaker enjoys planting as part of his job.  Note acorns and holly-like leaves.  Click to enlarge.

In the conclusion of this sometimes romantic novel, the author reduces his writing style to the bare essentials, writing many short sentences in the subject-verb-object pattern, with each sentence being its own paragraph, matching the style to what is happening in the content. When he is in Argentina, in his thirties, trying to escape to Europe, an older tavern-keeper has told him that “A man’s life lasts as long as three horses’. You have already buried the first.” Now he is faced with a crisis, at the end of which he realizes that his “second horse has died.” A man who was once a revolutionary, who has come under the dominating influence of nature with its patience regarding growing and blooming, now realizes that he is no longer as comfortable with taking action to avenge grievances as he once was. A consummate reader, the speaker ultimately believes that “If I am someone else, it’s also because books move men more than journeys and years. I break away from what I am when I learn to treat my own life differently.”

images

The author on a climb.

Author Erri De Luca, recognized as “Italy’s most prominent writer,” and described by Milan’s daily newspaper Corriere della Serra as “the only true first-rate writer that the new millennium has given [Italy] for now,” is almost unknown in the US and Europe, and only four of his sixty-five novels have been translated into English. A man whose politics have always been on the extreme left in Italy, De Luca has never been a model for academia. For a number of years, he worked in a Fiat factory in Turin, and at the airport in Catania. He worked as a truck driver and as a mason. He has become an elite mountain climber, specializing in extreme climbing in the Himalayas. In 2013, he received international acclaim as the recipient of the European Prize for Literature. He continues to live his life on his own terms, accepting responsibility for his actions and inspiring others in his footsteps.

NOTE:  Also by Erri De Luca:  THE DAY BEFORE HAPPINESS

Photos, in order:  The author’s photo appears on http://www.dislivelli.eu/

Like the speaker and Dvora, the climbers in the Catelletto tunnel are using the ferrata (cable) to climb to the top of the Tofana di Rozes.  https://www.geocaching.com/

Brown sheep and penguins exist side by side on Soledad Island in the Malvinas (Falklands), where the speaker worked after escaping from Argentina.  http://modernfarmer.com

Quercus Ilex, the holm oak or holly oak, is a favorite of the speaker for planting on the estate where he works in Italy.  Note the acorns and holly-like leaves:  https://www.pinterest.com

Described by Milan’s daily newspaper Corriere della Serra as “the only true first-rate writer that the new millennium has given us for now,” Erri De Luca still challenges himself with extreme mountain climbing at the age of sixty-six. http://www.trentinofilmcommission.it/

THREE HORSES
REVIEW. Argentina, Book Club Suggestions, Historical, Italy, Literary, Social and Political Issues
Written by: Erri De Luca
Published by: Other Press
ISBN: 978-1590511350
Available in: Ebook Paperback

When our youngest grandson had his sixth birthday a year ago, he was already telling stories. Full of excitement about everything in his real world, everything he saw and heard, and everything he could imagine, he suddenly decided to write his own books – and these were not one-page books, however much fun those may be. Modeling his stories on the many stories read to him and which he had begun to read himself, he decided that he would write his own stories – long stories – and that he would illustrate them.

t-rex4

Tyrannosaurus Rex

Our surprise Christmas present last year was our six-year-old grandson’s first “book,” an eighteen-pager written in often-phonetic spelling, about a young boy trying to escape from a T. Rex. In the first chapter the boy, Jack, and his buddies see a T. Rex but hide in the woods. Soon Jack and the T. Rex find themselves on a bridge, but the T. Rex is too heavy, and when the bridge breaks, the boy escapes with his friends to a tree house. The boys look out as the T. Rex stomps away. Later, when Jack heads for a tall mountain, he sees that the T. Rex is back. Fortunately, there is a handy zip-line on which Jack can escape over the valley.

When he gets off the zipline, however, a fire dragon grabs him, but Jack manages to escape and run back to the tree house. The dragon breathes fire on the front gate. A water dragon suddenly appears and squirts water at the flaming gate. Then a Stegosaurus appears. So does the T. Rex. The Stegosaurus “shoots his spines” and stops the T. Rex. End of story. Whew.

imgres

Stegosaurus

Page eighteen, the last page, is a classic. The young author is anxious to know if we liked his story.   He asks three questions:

  1. “Was it good?”
  1. “Was it bad?”

These two questions have been scratched out, though it is possible to read what is written there. The author has decided he really does not want to know the answers to those two questions. For him there is only one important question:

  1. “What was your favorite part?” This is followed by three hand-drawn lines in which we can fill in all the details we liked best.   Clever author.

Another book arrived a few months later, near the end of his first grade year – longer, more detailed, with smaller printing, on larger pages, with more facile drawings. This second book comes with a formal “deducation” to us, and a Table of Contents. “Chapter One: Words,” and “Chapter Two: Pictures.”

images-1

Ninja

This longer book is about a ninja, who is the main character, fighting evil robots, and it contains many more transitions (including words like  then, later, soon), nicely spaced drawings (some of them in color), and sound effects (“Boom,” “Wow,” “Buzz,” and “Ting Ting”) along with dialogue. What intrigued me most was his use of questions to increase suspense. “How did the ninja get in?” and “What if the robots were wearing costumes?” and “What is the code?” The Ninja and the robots have a verbal conflict in dialogue – not just action – though one crisis occurs inside a house in which no one knows how to turn off the buzzer that warns of danger. Eventually, a boy named Jake saves the day, though the author leaves much unresolved for a further book.

images-2

It is important to note that this writing was completely self-directed. His parents are not writers, though they are great communicators, and they did not want to spoil his motivation by becoming involved in any way. It was never a school assignment. Each day, when he came home from school, he went to his writing table, where he’d work on his book for fifteen minutes or so to unwind after school. Then he’d go out to play touch-football, soccer, basketball, and any number of other neighborhood games. My daughter-in-law, with incredible self-restraint, never peeked at his secret book, respecting his wishes and his sense of commitment .

My grandson has now written three such books, all after school…but nothing for the past six months or so. When I asked him on the phone recently if he’s written anything new lately, his enthusiastic answer was, “Yes, I’m now writing songs!” Maybe we’ll get a video soon.

I mention all this because as a life-long teacher, I am thrilled to see someone get so excited about writing – he does not regard writing as an assignment and considers it FUN.

stock-vector-illustration-of-people-patiently-waiting-on-a-queue-309616469Two weeks ago, I had another remarkable literary experience, not with my grandson but with another little boy who is also seven. This boy and his family were standing in line just behind us as we waited to board a plane on a long flight. When, in casual conversation, I asked him if he liked to read or write stories, he told me that he writes stories all the time. “What kind of stories?” I asked, wondering if there was another T. Rex story in the works. “Well,” he said, “last month at school we all wrote “personal narratives.” I blinked, not even trying to hide a smile.

“And what is a personal narrative?” I asked, never doubting I’d get a great answer. “Those are fun,” he said. “You tell a story about something that has happened to you.”

And he went on, “But this month we are doing something different.”

“And what is that?” I asked, happily.

This month we are doing “realistic fiction!” And, yes, he knew exactly what he was talking about – “You tell a story that didn’t happen to you but you pretend that it did.”

The second graders of the world are writing, ladies and gentlemen. Life can’t be all bad.

Han Kang–THE VEGETARIAN

Note: Korean author Han Kang was WINNER of the Man Booker International Prize for this novel in 2016.

“I had a dream….Dark woods. No people. The sharp-pointed leaves on the trees, my torn feet. This place, almost remembered, but I’m lost now. Frightened. Cold. Across the frozen ravine, a red barn-like building. Straw matting flapping limp across the door. Roll it up and I’m inside, it’s inside. A long bamboo stick strung with blood-red gashes of meat…and no exit.”—Jeong-hye, wife of Mr. Cheong.

cover HanKang, The VegetarianPowerful, dramatic, and psychologically unsettling, author Han Kang’s prizewinning novel delves into the inner lives, the secret goals, the hidden fears, and the mysterious dreams, of three members of one Korean family. These family members – a young woman who has decided to become a vegetarian; her successful, married sister; and her sister’s artist husband – each become the intense focus of their own section of the novel, allowing the reader to share that person’s thoughts and motivations from the inside. At the same time, the characters appear and reappear in each other’s sections, providing new information so that the reader sees each person interacting with others – a clever technique which makes it possible for the reader to observe the characters from the outside. Starting simply, with the introductory story of “The Vegetarian,” Han Kang introduces Mr. Cheong, a dull man who has always chosen “the middle course” in his life, avoiding the beautiful, intelligent, or sensual daughters of wealthy fathers because “they would only have served to disrupt my carefully ordered existence.” It is only natural, then, that he would decide to marry Yeong-hye, “the most run-of-the-mill woman in the world,” a young woman who works part-time, filling in the words to speech bubbles for a comics publisher.

image

For five years the marriage works. Then one morning, he wakes up and discovers Yeong-hye in the kitchen, surrounded by black trash bags and empty plastic containers. She has spent the entire night removing every piece of meat, fish, and poultry from the refrigerator and freezer. Her only explanation is that she has had a dream, one so powerful that she now declares that she is a vegetarian, and she will no longer allow any animal products in the house. Her new commitment raises havoc the next night when, refusing to wear leather shoes because leather is an animal product, she accompanies her husband to an important business dinner – twelve courses of specially prepared, exotic food, nearly all of which involve meat, chicken, and fish. She eats only the rice, leaving her husband humiliated and fearful that her “performance” at the dinner will affect his chances for promotion.

The little white-eye bird plays a dramatic role in the opening section, The Vegetarian.

The little white-eye bird plays a dramatic role when Yeong-hye finds him in the “The Vegetarian.”

For much of this introductory section, Han Kang keeps the mood light. Those who know the inoffensive Yeong-hye cannot believe that she would make such a life-changing decision, leading to ironic scenes among friends and family.  Spot-on descriptions by the author add to the atmosphere of fun in the style of a light-humored entertainment and mild satire. Halfway through this section, however, the atmosphere becomes more sinister, and the story takes on a much darker tone. Over time, Yeong-hye becomes dangerously thin and sometimes refuses to eat anything at all, vegetarian or not. Mr. Cheong finally decides to call in her family for help. As they become more directly involved, they hint of past problems between Yeong-hye and her parents. Violence intrudes unexpectedly, and the reader realizes that Yeong-hye’s vivid nightmares, conveyed in italics throughout the section, are certainly no laughing matter.

camo body paint

Yeong-ho uses body painting of nature to allow a person to blend into the environment. Then he decides to expand that vision.

The second section, “Mongolian Mark,” is the story of Yeong-hye’s brother-in-law, an artist married to In-hye, sister of vegetarian Yeong-hye. A successful woman in business, In-hye worked part-time even after the birth of her much-loved son, and at his third birthday, she went back to her shop, full-time, growing and promoting it. Her husband, Yeong-ho, an artist, stays at home to care for their son, enabling him to have the artistic freedom to direct and create original videos in his spare time. Though he has been lacking inspiration for several years, he has recently found a new interest which greatly excites him – painting nude women – literally. Covering their entire bodies with painted blossoms and vines, he then poses them so that they look as if they are part of a jungle scene, as if plants and body have become one. He is anxious to make a video using these ideas, and responds with unexpected enthusiasm when his wife asks him if he will check in on her sister, Yeong-hye, who has been going through a difficult time. He is thinking that Yeong-hye might be a good model for the video he dreams about.

In-Hye spends much time taking a bus hrough the city in order to care for family members while also running her business.

In-Hye spends much time taking a bus hrough the city in order to care for family members while also running her business.

The final section, “Flaming Trees,” is In-hye’s story. By now the reader knows her sister, Yeong-hye, the vegetarian, and In-hye’s husband, the artist/video creator, and with each of these sections the family dynamics become more complicated. Each person feels called to do something which will make his/her life more satisfying, but always at a cost. In this section, we learn of In-hye’s courtship and marriage, and her husband’s belief in her “goodness, stability, and calm,” yet she is now nearing the point of exhaustion, working full-time, trying to be a peace-maker within the family, caring for ailing family members, and attending to her son while her husband is working on his new video project. This section pulls together all the thematic and narrative threads. Most of the unanswered questions about the characters and their lives, which pervade the novel, are answered, in part, in this section.

The Man Booker International Prize

Han Kang asks and illustrates many basic questions about who we are as humans, who we are in relation to the outside world, and how much control we have over our lives. Yeong-hye is concerned about eating animals; Yeong-ho, the artist, sees truth in art, in which he wants to use the human form, but he also has some personal motivations that make the reader question his higher goals; and In-hye, the businesswoman and mother, wants to fix whatever she can in the broken lives of the people she knows and loves, though she has been responsible for some of their problems. Where the novel excels is in its ability to create psychologically rich characters who do not fit molds – people who do what feels right to them at the time, often make mistakes, and then have to live with the results, for better or worse – usually the worse. Unsettling and sometimes overwhelming.

Photos, in order:  The author’s photo appears on http://www.ctvnews.ca/

The little white-eye bird, about the size of a sparrow, is common in Hawaii and in east Asia.  http://orientalbirdimages.org/

The art of body-painting became an obsession for Yeong-ho, and after seeing the results of one person’s painting in relation to the whole natural world, Yeong-ho decided to expand his goals.  http://skincitybodypainting.com/

In-hye spends much time traveling from home and work to take care of ailing family members, on a bus like this one. http://kojects.com/

The Man Booker International Prize is shown on http://www.thenational.ae/

THE VEGETARIAN
REVIEW. Korea, Literary, Psychological study.
Written by: Han Kang
Published by: Hogarth
Date Published: 02/02/2016
ISBN: 978-0553448184
Available in: Ebook Paperback Hardcover

« Newer Posts - Older Posts »